Northwood
Chapters (85)
- Cover Page
- Northwood
- Title Page
- Copyright
- Dedication
- THE WORLD
- THE HIEROPHANT
- KINDLING
- ORBIT
- THE DANCE HALL
- ASCALON
- FIRST
- AMATEUR
- ADONIS
- ELEGY
- INTAGLIO
- LABYRINTH
- MOTHER
- NIGHT SONG
- DAPHNE
- CELL
- SHOPPING LIST
- FREEDOM
- HOOD
- THE FOOL
- PATH
- EMPRESS
- PERSPECTIVE
- SMALL TOWN
- THE WOODCUTTER
- ENEMY
- PLAGUE
- FEAST
- HEDERA
- BREAK
- GROVE
- CUPID
- NARCISSUS
- LINEAGE
- TEMPERANCE
- PRIESTESS
- TECHNICAL TERM FOR HEARTBREAK
- THE HERMIT
- TICK
- ONCE
- DEUS EX MACHINA
- THE CUT
- SICK
- INCANT
- PLAINS
- REUNION
- AS TOLD BY ORPHEUS
- THE MAGICIAN
- THE VALLEY
- ECHO
- IN MY DREAM YOU CALLED ME ON A PHONE MADE OF LEAVES AND I ANSWERED
- NUDE
- EXHIBITION
- DOUBLE
- THE VIRGIN
- LONG DISTANCE
- QUEEN OF SWORDS
- THE HANGED MAN
- LINE
- ENEMY II
- ACCOUNTING
- CONSTELLATION
- THE FAVORITE
- EMPRESS II
- TRIPTYCH
- CRONE
- DAPHNE II
- THE COLLECTOR
- GIRL IN BLUE
- RENAISSANCE
- RUINS
- HARUSPEX
- CROWN
- PORTRAIT OF THE LOVER
- ALWAYS MY LYRES WILL HAVE YOU
- THE LOVERS
- HOSPICE
- WEEDS
- THE TOWER
- About the Author
Cover Page
Northwood
Title Page
Copyright
This is a work of fiction. All of the characters, organizations, and events portrayed in this novel are either products of the author’s imagination or are used fictitiously.
Copyright © 2018 by Maryse Meijer
First published in the United States in 2018 by Black Balloon, an imprint of Catapult (catapult.co)
Jacket and book design by Jonathan Yamakami
Jacket illustrations by Rufus Newell
ISBN: 978-1-948226-01-1
eISBN: 978-1-948226-02-8
Catapult titles are distributed to the trade by Publishers Group West
Phone: 866-400-5351
Library of Congress Control Number: 2018938765
Printed in China
10 9 8 7 6 5 4 3 2 1
Dedication
For D.
Because
a fire
THE WORLD
THE WORLD
I don’t draw you anymore.
I want
to see
through the trees.
The way the pen used
to feel,
a weapon, drawing blood from the page:
not a hymn,
not an homage—
why are the best songs love songs I want
to draw
death but death doesn’t make
music. On the page or
elsewhere.
The wood
doesn’t care if you live
or die. It
is dying all the time. Living. Unsurprised.
But I
am not
a wood, I am not a stream I mourn
the branch that
breaks from its body
and I want
to make a mark more than I want
to make love
but I was
only
ever good at this one
fucking thing
THE HIEROPHANT
THE HIEROPHANT
I’d only been away
for a day no city no
sky I recognized, how full it was,
the hard stars so cold-shouldered
blinking You are alone,
Only not quite:
there was the stream, after all, and the trees,
and ants relentless over the counters,
the foxes fucking their way through the evenings
their screams so human it chilled me,
high slaughterhouse sound
whistling in every direction.
I could not get the fire started and the floors had no carpets
and the boots I brought had a hole in them and the dew
came through.
I went out to the porch and put my head against the post.
I knew what a car was. I knew
convenience stores and dollar hot dogs and coffee
that appeared
when my money appeared and the phone ready to ring
and the traffic like the sea
lapping the concrete coast of the sidewalk,
24 hours, something always open.
I wanted to get away and I was away
and there was that sky that seemed to say, You know nothing.
I took my pencils out, my paper, my ink.
The rough table was short on one leg and when I drew
it rocked from one side to the other.
Moths flew from the cabinets.
I had never been in love.
KINDLING
KINDLING