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Contents ( 49)
  1. Copyright
  2. Contents
  3. CHAPTER ONE
  4. CHAPTER TWO
  5. CHAPTER THREE
  6. CHAPTER FOUR
  7. CHAPTER FIVE
  8. CHAPTER SIX
  9. CHAPTER SEVEN
  10. CHAPTER EIGHT
  11. CHAPTER NINE
  12. CHAPTER TEN
  13. CHAPTER ELEVEN
  14. CHAPTER TWELVE
  15. CHAPTER THIRTEEN
  16. CHAPTER FOURTEEN
  17. CHAPTER FIFTEEN
  18. CHAPTER SIXTEEN
  19. CHAPTER SEVENTEEN
  20. CHAPTER EIGHTEEN
  21. CHAPTER NINETEEN
  22. CHAPTER TWENTY
  23. CHAPTER TWENTY-ONE
  24. CHAPTER TWENTY-TWO
  25. CHAPTER TWENTY-THREE
  26. CHAPTER TWENTY-FOUR
  27. CHAPTER TWENTY-FIVE
  28. CHAPTER TWENTY-SIX
  29. CHAPTER TWENTY-SEVEN
  30. CHAPTER TWENTY-EIGHT
  31. CHAPTER TWENTY-NINE
  32. CHAPTER THIRTY
  33. CHAPTER THIRTY-ONE
  34. CHAPTER THIRTY-TWO
  35. CHAPTER THIRTY-THREE
  36. CHAPTER THIRTY-FOUR
  37. CHAPTER THIRTY-FIVE
  38. CHAPTER THIRTY-SIX
  39. CHAPTER THIRTY-SEVEN
  40. CHAPTER THIRTY-EIGHT
  41. CHAPTER THIRTY-NINE
  42. CHAPTER FORTY
  43. CHAPTER FORTY-ONE
  44. CHAPTER FORTY-TWO
  45. CHAPTER FORTY-THREE
  46. CHAPTER FORTY-FOUR
  47. CHAPTER FORTY-FIVE
  48. AUTHOR’S NOTE
  49. ACKNOWLEDGMENTS

“That’s right.”

“And we’ll already be watching out for SWAT, who might shoot us by accident if they run into us.… Lewis, are we crazy to be doing this?”

“It’s starting to look that way.” She makes an uncontrolled huff of laughter, although nothing about this is funny.

Bell’s face is shadowed in the twilight. “Emma, are you okay going back into the asylum? I mean, it kinda makes sense for me to go in, but you don’t—”

“Have you ever dodged a serial killer, Travis?” Emma feels a tide rising inside her, a wave of tension and fear that washes higher as each minute passes. “Because I have. And you need me in there if you want to get out of St. Elizabeths tonight.”

He nods, glances down. “Are you scared?”

“Yes.” Her voice trembles. “Are you?”

He holds up his hands. They’re shaking. “Real tough guy, huh?”

She makes a tiny smile as she puts her hands over his, as he curls his fingers into fists. “Travis,” she says. “You’re doing it right.”

CHAPTER THIRTY-SEVEN

Hoyt has studied the literature on surveillance psychology, researched perception, attention deficits, and team effectiveness under stress. He’s determined that there are a few key moments in the timeline of a stakeout. He employed this information to useful effect in Annandale, and now he is in the quick of it once again.

The moments immediately after a stakeout is established are good, because everyone is still settling into their positions and nobody expects an immediate threat. People are alert, though, not fuzzy with boredom and the wear of held tension, so he has to be careful.

There is no longer direct entry into Gutmunsson’s room via the old sacristy; that doorway was bricked up in 1962. Visitors must now cross through the foyer, then the great hall and its steel barricade to the oak door to see Simon. During Hoyt’s time working here, it’s been a great inconvenience that Gutmunsson’s room has only one entry, and that the man employed to guard it is never lax.

The very helpful Agent Martino informed him that there are six SWAT officers stationed in the courtyard to the east of the center building. An additional four SWAT officers are stationed inside, in the former kitchen on the east side of the great hall. Their job is to watch the camera footage beamed from the asylum’s control booth monitors.

SWAT personnel will hold their positions until they catch sight of the target. At that point, they will instruct the control booth technician to close the barred gate, then they’ll call in their courtyard reinforcements and execute a dynamic entry through the kitchen and into the great hall.

Including the command agent in the surveillance van out front, the female agent in the foyer, and Martino, the number of active personnel is blown out to thirteen. If Hoyt thinks in terms of numbers of combatants, their positioning, the kinds of weaponry they’re wielding, and the strategies they’re inclined to use, he would be put off. It looks like a complicated problem. But the beauty of his own plan is in its simplicity.