‘Proceed,’ he said. The cast stirred uneasily. Poole continued. He had come to the scene between himself and Miss Gainsford and beyond a minor adjustment of position said nothing about it. Miss Hamilton, who had arrived at the final stage of her street make-up, dusted her face with powder, nodded good-humouredly at Martyn and turned to face Poole. Martyn thankfully shut the dressing-case and made for the nearest exit.

At the same moment Poole reached the end of his notes for the second act and Dr Rutherford shouted: ‘Hold on! Stop that wench!’

Martyn, with a sensation of falling into chaos, turned in the doorway.

She saw nine faces lifted towards her own. They made a pattern against the smoke-thickened air. Her eyes travelled from one to the other and rested finally on Poole’s.

‘It’s all right,’ he said ‘Go home.’

‘No, you don’t,’ Dr Rutherford shouted excitedly.

‘Indeed she does,’ said Poole. ‘Run away home, Kate. Goodnight to you.’

Martyn heard the storm break as she fled down the passage.

CHAPTER FIVE

Opening Night

FROM NOON UNTIL half-past six on the opening night of Dr Rutherford’s new play, the persons most concerned in its birth were absent from their theatre. Left to itself the Vulcan was possessed only by an immense expectancy. It waited. In the auditorium, rows of seats, stripped of their dust-cloths, stared at the curtain. The curtain itself presented its reverse side to Jacko’s set, closing it in with a stuffy air of secrecy. The stage was dark. Battalions of dead lamps, focused at crazy angles, overhung it with the promise of light. Cue-sheets fixed to the switchboard awaited the electrician, the prompt-script was on its shelf, the properties were ranged on trestle-tables. Everything abided its time in the dark theatre.

To enter into this silent house was to feel as if one surprised a poised and expectant presence. This air of suspense made itself felt to the occasional intruders: to the boy who from time to time came through from the office with telegrams for the dressing-rooms, to the girl from Florian’s and the young man from the wigmaker’s, and to the piano-tuner who, for an hour, twanged and hammered in the covered well. And to Martyn Tarne who, alone in the ironing-room, set about the final pressing of the dresses under her care.

The offices were already active and behind their sandblasted glass walls typewriters clattered and telephone bells rang incessantly. The blacked-out box-plan lay across Bob Grantley’s desk and stacked along the wall were rectangular parcels of programmes, fresh from the printer.

And at two o’clock the queues for the early doors began to form up in Carpet Street.