CAST OF CHARACTERS

OF THE VULCAN THEATRE

Martyn Tarne

Bob Grantley, Business Manager

Fred Badger, Night Watchman

Clem Smith, Stage Director

Bob Cringle, Dresser to Adam Poole

Adam Poole, Actor-manager

Helena Hamilton, Leading Lady

Clark Bennington, Her husband

Gay Gainsford, His niece

J. G. Darcey, Character actor

Parry Percival, Juvenile

Jacques Doré, Designer and assistant to Adam Poole

Dr John James Rutherford, Playwright

OF THE CID NEW SCOTLAND YARD

Chief Detective-Inspector Alleyn

Detective-Inspector Fox

Detective-Sergeant Gibson

Detective-Sergeant Bailey, Fingerprint expert

Detective-Sergeant Thompson, Photographer

PC Lord Michael Lamprey

Dr Curtis

CHAPTER ONE

Martyn at the Vulcan

AS SHE TURNED into Carpet Street the girl wondered at her own obstinacy. To what a pass it had brought her, she thought. She lifted first one foot and then the other, determined not to drag them. They felt now as if their texture had changed: their bones, it seemed, were covered by sponge and burning wires.

A clock in a jeweller’s window gave the time as twenty-three minutes to five. She knew, by the consequential scurry of its second-hand, that it was alive. It was surrounded by other clocks that made mad dead statements of divergent times as if, she thought, to set before her the stages of that day’s fruitless pilgrimage. Nine o’clock, the first agent. Nine thirty-six, the beginning of the wait for auditions at the Unicorn; five minutes past twelve, the first dismissal. ‘Thank you, Miss—ah—Thank you, dear. Leave your name and address. Next, please.’ No record of her flight from the smell of restaurants but it must have been about ten-to-two, a time registered by a gilt carriage-clock in the corner, that she had climbed the stairs to Garnet Marks’ Agency on the third floor. Three o’clock exactly at the Achilles where the auditions had already closed, and the next hour in and out of film agencies. ‘Leave your picture if you like, dear. Let you know if there’s anything.’ Always the same. As punctual as time itself. The clocks receded, wobbled, enlarged themselves and at the same time spread before their dials a tenuous veil. Beneath the arm of a bronze nude that brandished an active swinging dial, she caught sight of a face: her own. She groped in her bag and presently in front of the mirrored face, a hand appeared and made a gesture at its own mouth with the stub of a lipstick. There was a coolness on her forehead, something pressed heavily against it. She discovered that this was the shop-window.

Behind the looking-glass was a man who peered at her from the shop’s interior. She steadied herself with her hand against the window, lifted her suitcase and turned away.