Back Neuropath
Chapters (20)
  1. ACKNOWLEDGEMENTS
  2. AUTHOR'S NOTE
  3. CHAPTER ONE
  4. CHAPTER TWO
  5. CHAPTER THREE
  6. CHAPTER FOUR
  7. CHAPTER FIVE
  8. CHAPTER SIX
  9. CHAPTER SEVEN
  10. CHAPTER EIGHT
  11. CHAPTER NINE
  12. CHAPTER TEN
  13. CHAPTER ELEVEN
  14. CHAPTER TWELVE
  15. CHAPTER THIRTEEN
  16. CHAPTER FOURTEEN
  17. CHAPTER FIFTEEN
  18. CHAPTER SIXTEEN
  19. CHAPTER SEVENTEEN
  20. AUTHOR'S AFTERWORD

So much of the so-called 'modern malaise' could be chalked up to the differences between the modern and the stone-age environment the human brain had evolved to thrive in. What had been advantageous in highly interdependent communities of 200 or so souls had since become at best trivial, and at worst species-threatening liabilities. When energy-rich fatty foods were scarce, a hankering for them was adaptive. When work was mandatory for survival, slacking was recuperative. Most people lived in a kind of media-constructed, virtual stone age, indulging their ancient yens for sex, gossip, violence, simplicity and certainty, flattery and competition—those things humans in small, highly interdependent communities required in the great reproductive scrum called evolution. They lived in worlds that indulged and reflected their weaknesses, and that only incidentally captured the complexity and indifference of the real thing. Disney Worlds. And since ignorance was invisible (Neil used to always say that making ignorance invisible was God's idea of a one-liner), they thought they more or less saw it all.

Small wonder, Thomas thought, we humans were so jumpy, so arrogant, so defensive. Small wonder the internet, which was supposed to blow the doors off of narrow, parochial views of the world, had simply turned into a supermarket of bigotries, a place where any hatred or hope could find bogus rationalization. For the human brain, it was like living in a schizophrenic world, a paradise of plenty where any second now, something really bad was going to happen.

In a sense, that's all popular culture was, a modern, market-driven prosthetic for the paleolithic brain. How could such a culture not be seduced by the psychopath? By Neil.

Lurking in every shadow, following housewives home from the grocery store, stealing schoolgirls through bedroom windows, pulling over for hitchhikers, scoping out prostitutes through tinted windows…

This was a bad thing in a stone-age village of 200 people. A very dangerous thing.

Making up the rules as they went along. Taking no shit no way no how. And of course, getting laid with a capital 'L'.

In a Disney World of 9 billion, few things could be as cool.

For Professor Skeat, psychopaths were nothing less than the horsemen of the apocalypse. Contemporary culture had digested the meaninglessness of natural events, the fact they were indifferent to all things human. A few stubborn fools still shook their fists at God, but most simply shrugged their shoulders. Most knew better, no matter how ardently they prayed. What made psychopaths so indigestible, Skeat claimed, what drove culture to slather them with layer after layer of cinematic and textual pearl, was that they were humans that were indifferent to all things human. They were natural disasters personified.

They were walking gnosis, secret knowledge, an expression of the nihilistic truth of existence. And this, Skeat insisted, was why psychopaths were the only holy men, the only real avatars left to humankind.

Thomas wondered what Professor Skeat would think of Neil now. Star pupil. Prodigy.