Chapters (86)
- Cover
- Dedication
- Epigraph
- Prologue
- Chapter 1
- Chapter 2
- Chapter 3
- Chapter 4
- Chapter 5
- ThursdayChapter 6
- Chapter 7
- Chapter 8
- Chapter 9
- FridayChapter 10
- Chapter 11
- Chapter 12
- Chapter 13
- SaturdayChapter 14
- Chapter 15
- Chapter 16
- SundayChapter 17
- Chapter 18
- Chapter 19
- MondayChapter 20
- Chapter 21
- TuesdayChapter 22
- Chapter 23
- Chapter 24
- Chapter 25
- Chapter 26
- Chapter 27
- Chapter 28
- Chapter 29
- Chapter 30
- Chapter 31
- Chapter 32
- Chapter 33
- Chapter 34
- Chapter 35
- WednesdayChapter 36
- Chapter 37
- Chapter 38
- Chapter 39
- Chapter 40
- Chapter 41
- Chapter 42
- Chapter 43
- Chapter 44
- Chapter 45
- Chapter 46
- Chapter 47
- Chapter 48
- ThursdayChapter 49
- Chapter 50
- Chapter 51
- Chapter 52
- Chapter 53
- Chapter 54
- Chapter 55
- Chapter 56
- Chapter 57
- Chapter 58
- Chapter 59
- Chapter 60
- Chapter 61
- FridayChapter 62
- Chapter 63
- Chapter 64
- Chapter 65
- Chapter 66
- Chapter 67
- Chapter 68
- Chapter 69
- Chapter 70
- Chapter 71
- Chapter 72
- Chapter 73
- Chapter 74
- Chapter 75
- Chapter 76
- Chapter 77
- Epilogue
- Acknowledgments
- About the Author
- Also by Greg Iles
- About the Publisher
Jenny looks more worried than before. “But hasn’t Quentin done a wonderful job in the end? He destroyed two of Shad’s main witnesses.”
“Absolutely. He proved that they both perjured themselves.”
“Well, then,” Mom says. “That’s reasonable doubt right there.”
“I think you’re right.”
“Well, what’s about to happen?” Jenny asks. “I tried to pay attention during the judge’s instructions, but I kept drifting off. Give me the last act for dummies.”
“Closing arguments,” I tell her. “Shad Johnson and Quentin each get one hour to summarize their cases for the jury. Typically, the prosecutor will take thirty minutes of his hour, then sit down. The defense is required to give all his remarks in one go, the full hour, if he wants to speak that long. Then the prosecutor has thirty minutes left to finish.”
“So Shad gets to hear Quentin’s whole pitch before he finishes.”
“Right. And that’s a real advantage. It helped me win a lot of cases back in Houston.”
Mom kicks me under the table, and I feel my face go red.
“I think we’re about to see Quentin Avery’s finest hour,” she announces.
She stands up and flattens her skirt. “I’m going to run upstairs to the ladies’ room. I’ll see you all in a minute. Jenny, we should get back to the courthouse as soon as possible.”
After Mom leaves the room, Jenny swallows her last bite of lasagna. “What’s wrong? Were you holding something back in front of Mom? Did we miss something important?”
“No, not really.”
“Then what is it?” she presses.
“Everybody seems to be forgetting the fact that when Viola made that tape for Henry, she was doing it in the expectation that Dad was going to euthanize her. The things she said in the recording did a lot to puncture Shad’s theories about Dad’s motive to silence her, but even if he injected her out of a desire to give her a dignified death, that’s murder. Not assisted suicide. I expect Shad to make that clear in his closing. Trying this case on motive may have bitten Shad in the ass, but that doesn’t change the facts. Motive doesn’t really have anything to do with whether Dad committed murder or not. It comes down to what the jury believes happened in that room. What physically happened. If they think he injected her with that adrenaline as well as the morphine, they could convict him.”
“But if they think Daddy injected her out of a sense of mercy, don’t you think they’ll acquit him in the end?”