Back Mississippi Blood Save as PDF
Chapters (86)
  1. Cover
  2. Dedication
  3. Epigraph
  4. Prologue
  5. Chapter 1
  6. Chapter 2
  7. Chapter 3
  8. Chapter 4
  9. Chapter 5
  10. ThursdayChapter 6
  11. Chapter 7
  12. Chapter 8
  13. Chapter 9
  14. FridayChapter 10
  15. Chapter 11
  16. Chapter 12
  17. Chapter 13
  18. SaturdayChapter 14
  19. Chapter 15
  20. Chapter 16
  21. SundayChapter 17
  22. Chapter 18
  23. Chapter 19
  24. MondayChapter 20
  25. Chapter 21
  26. TuesdayChapter 22
  27. Chapter 23
  28. Chapter 24
  29. Chapter 25
  30. Chapter 26
  31. Chapter 27
  32. Chapter 28
  33. Chapter 29
  34. Chapter 30
  35. Chapter 31
  36. Chapter 32
  37. Chapter 33
  38. Chapter 34
  39. Chapter 35
  40. WednesdayChapter 36
  41. Chapter 37
  42. Chapter 38
  43. Chapter 39
  44. Chapter 40
  45. Chapter 41
  46. Chapter 42
  47. Chapter 43
  48. Chapter 44
  49. Chapter 45
  50. Chapter 46
  51. Chapter 47
  52. Chapter 48
  53. ThursdayChapter 49
  54. Chapter 50
  55. Chapter 51
  56. Chapter 52
  57. Chapter 53
  58. Chapter 54
  59. Chapter 55
  60. Chapter 56
  61. Chapter 57
  62. Chapter 58
  63. Chapter 59
  64. Chapter 60
  65. Chapter 61
  66. FridayChapter 62
  67. Chapter 63
  68. Chapter 64
  69. Chapter 65
  70. Chapter 66
  71. Chapter 67
  72. Chapter 68
  73. Chapter 69
  74. Chapter 70
  75. Chapter 71
  76. Chapter 72
  77. Chapter 73
  78. Chapter 74
  79. Chapter 75
  80. Chapter 76
  81. Chapter 77
  82. Epilogue
  83. Acknowledgments
  84. About the Author
  85. Also by Greg Iles
  86. About the Publisher

Shad breaks his rhythm here, and I realize he’s not sure where to go from here. He looks into the gallery, then up to the balcony. In the end he seems to settle on the face of Lincoln Turner, who’s watching him with desperate hope in his face. Almost imperceptibly, Shad nods, then turns back to my father.

“Dr. Cage, I believe a lot of what you’ve told us is true. The most effective deceptions are always based on truth, after all. But let me suggest an alternate scenario to you. After a lifetime of keeping secrets, Viola Turner wanted to unburden herself. She’d left a brief record of certain events for Henry Sexton, a reporter, that included her romance with you, your paternity of her son, and the murder of Frank Knox. And she told you she had done this. Why? Because like a lot of people in this room, Viola believed you were a better man than you are. And you played right along, didn’t you? Because all you had to do was carry out your side of the pact. She would be dead in a few minutes, and you’d have that tape, and once you erased it, no one would ever be able to prove what was on it. What could be more perfect? She’d asked you to kill her yourself, after all. The irony is almost unbearable.”

Dad seems to be focused on a spot on the floor, not his questioner.

“But something happened that you didn’t expect. Something made you panic. And I think it was the moment you realized there was a tape in Henry’s video camera, recording everything.”

Dad looks up slowly, like a tired old bear noticing some distant figure that might be either predator or prey.

“Who put that tape there, I don’t know,” Shad admits. “Maybe Viola’s sister, as Cora Revels testified. Maybe even Lincoln Turner. But once you realized that tape was there, you knew you weren’t as alone as you’d believed. Someone was watching you, setting a trap for you. How did you respond? Maybe you shut the camera off, or maybe you tried to brazen things out with Viola, thinking you could take the tape when you left. However it happened, suddenly time was your enemy. You wanted to run, but you couldn’t risk leaving Viola alive. Maybe she was fighting you by that time . . . but probably not. My guess is that she believed in you right up until the final seconds.”

Quentin looks as though he wants to interrupt this hypothetical, but something holds him back. I only hope his instincts are as good as they once were.