Chapters (86)
- Cover
- Dedication
- Epigraph
- Prologue
- Chapter 1
- Chapter 2
- Chapter 3
- Chapter 4
- Chapter 5
- ThursdayChapter 6
- Chapter 7
- Chapter 8
- Chapter 9
- FridayChapter 10
- Chapter 11
- Chapter 12
- Chapter 13
- SaturdayChapter 14
- Chapter 15
- Chapter 16
- SundayChapter 17
- Chapter 18
- Chapter 19
- MondayChapter 20
- Chapter 21
- TuesdayChapter 22
- Chapter 23
- Chapter 24
- Chapter 25
- Chapter 26
- Chapter 27
- Chapter 28
- Chapter 29
- Chapter 30
- Chapter 31
- Chapter 32
- Chapter 33
- Chapter 34
- Chapter 35
- WednesdayChapter 36
- Chapter 37
- Chapter 38
- Chapter 39
- Chapter 40
- Chapter 41
- Chapter 42
- Chapter 43
- Chapter 44
- Chapter 45
- Chapter 46
- Chapter 47
- Chapter 48
- ThursdayChapter 49
- Chapter 50
- Chapter 51
- Chapter 52
- Chapter 53
- Chapter 54
- Chapter 55
- Chapter 56
- Chapter 57
- Chapter 58
- Chapter 59
- Chapter 60
- Chapter 61
- FridayChapter 62
- Chapter 63
- Chapter 64
- Chapter 65
- Chapter 66
- Chapter 67
- Chapter 68
- Chapter 69
- Chapter 70
- Chapter 71
- Chapter 72
- Chapter 73
- Chapter 74
- Chapter 75
- Chapter 76
- Chapter 77
- Epilogue
- Acknowledgments
- About the Author
- Also by Greg Iles
- About the Publisher
At first we see nothing. Then several bright flashes hit the screen. I hear Judge Elder grumbling. When the FBI agent tasked with projecting the restored video file finally succeeds in opening an image on the screen, I don’t see what I expected. The whole image is rendered in shades of blue, which by itself would not be too bad, but the resolution is very grainy. Besides that, the whole visual field is obscured by hundreds of flickering artifacts, some—bizarrely enough—bright pinks and greens. But the longer the tape runs, the more my mind adapts to what it’s seeing. What at first seemed only a hazy outline of the sickroom I saw so clearly on Henry’s accidental hard-drive recording soon becomes a familiar scene, like that same sickroom illuminated by a dim blue nightlight. And in the middle of the frame, a little left of center, is the woman at the heart of this case.
In America, we don’t often see people in their final days prior to death, not even in photographs. For those unused to the sight, it can be a significant shock. The emaciation in particular triggers a natural revulsion in healthy people. I saw this when my first wife died of cancer, and I never really got used to it. The faces of the jury members tell me that despite having seen the hard drive recording of Viola in her death throes, most were unprepared for the sight of the wraithlike figure propped motionless in the hospital bed, staring into the camera lens. Only Viola’s eyes, like wet stones, project any sense of life from the screen. But when she begins to speak, the hoarse but articulate voice lifts me erect in my seat.
“Hello, Henry,” Viola begins. “I can’t speak too well. I can’t catch my breath.
“You asked me to talk about Jimmy, and what I might know about what happened to him. You asked me to talk about my life as well. I don’t have the strength for much of that. But some of what I went through is tied up with what happened to Jimmy. I took a shot of cortisone this morning, and some morphine a few minutes ago. I drank some sweet tea for the sugar, too, so I might have the energy to talk three or four minutes.