Back Mississippi Blood Save as PDF
Chapters (86)
  1. Cover
  2. Dedication
  3. Epigraph
  4. Prologue
  5. Chapter 1
  6. Chapter 2
  7. Chapter 3
  8. Chapter 4
  9. Chapter 5
  10. ThursdayChapter 6
  11. Chapter 7
  12. Chapter 8
  13. Chapter 9
  14. FridayChapter 10
  15. Chapter 11
  16. Chapter 12
  17. Chapter 13
  18. SaturdayChapter 14
  19. Chapter 15
  20. Chapter 16
  21. SundayChapter 17
  22. Chapter 18
  23. Chapter 19
  24. MondayChapter 20
  25. Chapter 21
  26. TuesdayChapter 22
  27. Chapter 23
  28. Chapter 24
  29. Chapter 25
  30. Chapter 26
  31. Chapter 27
  32. Chapter 28
  33. Chapter 29
  34. Chapter 30
  35. Chapter 31
  36. Chapter 32
  37. Chapter 33
  38. Chapter 34
  39. Chapter 35
  40. WednesdayChapter 36
  41. Chapter 37
  42. Chapter 38
  43. Chapter 39
  44. Chapter 40
  45. Chapter 41
  46. Chapter 42
  47. Chapter 43
  48. Chapter 44
  49. Chapter 45
  50. Chapter 46
  51. Chapter 47
  52. Chapter 48
  53. ThursdayChapter 49
  54. Chapter 50
  55. Chapter 51
  56. Chapter 52
  57. Chapter 53
  58. Chapter 54
  59. Chapter 55
  60. Chapter 56
  61. Chapter 57
  62. Chapter 58
  63. Chapter 59
  64. Chapter 60
  65. Chapter 61
  66. FridayChapter 62
  67. Chapter 63
  68. Chapter 64
  69. Chapter 65
  70. Chapter 66
  71. Chapter 67
  72. Chapter 68
  73. Chapter 69
  74. Chapter 70
  75. Chapter 71
  76. Chapter 72
  77. Chapter 73
  78. Chapter 74
  79. Chapter 75
  80. Chapter 76
  81. Chapter 77
  82. Epilogue
  83. Acknowledgments
  84. About the Author
  85. Also by Greg Iles
  86. About the Publisher

At first we see nothing. Then several bright flashes hit the screen. I hear Judge Elder grumbling. When the FBI agent tasked with projecting the restored video file finally succeeds in opening an image on the screen, I don’t see what I expected. The whole image is rendered in shades of blue, which by itself would not be too bad, but the resolution is very grainy. Besides that, the whole visual field is obscured by hundreds of flickering artifacts, some—bizarrely enough—bright pinks and greens. But the longer the tape runs, the more my mind adapts to what it’s seeing. What at first seemed only a hazy outline of the sickroom I saw so clearly on Henry’s accidental hard-drive recording soon becomes a familiar scene, like that same sickroom illuminated by a dim blue nightlight. And in the middle of the frame, a little left of center, is the woman at the heart of this case.

In America, we don’t often see people in their final days prior to death, not even in photographs. For those unused to the sight, it can be a significant shock. The emaciation in particular triggers a natural revulsion in healthy people. I saw this when my first wife died of cancer, and I never really got used to it. The faces of the jury members tell me that despite having seen the hard drive recording of Viola in her death throes, most were unprepared for the sight of the wraithlike figure propped motionless in the hospital bed, staring into the camera lens. Only Viola’s eyes, like wet stones, project any sense of life from the screen. But when she begins to speak, the hoarse but articulate voice lifts me erect in my seat.

“Hello, Henry,” Viola begins. “I can’t speak too well. I can’t catch my breath.

“You asked me to talk about Jimmy, and what I might know about what happened to him. You asked me to talk about my life as well. I don’t have the strength for much of that. But some of what I went through is tied up with what happened to Jimmy. I took a shot of cortisone this morning, and some morphine a few minutes ago. I drank some sweet tea for the sugar, too, so I might have the energy to talk three or four minutes.