Back Mississippi Blood Save as PDF
Chapters (86)
  1. Cover
  2. Dedication
  3. Epigraph
  4. Prologue
  5. Chapter 1
  6. Chapter 2
  7. Chapter 3
  8. Chapter 4
  9. Chapter 5
  10. ThursdayChapter 6
  11. Chapter 7
  12. Chapter 8
  13. Chapter 9
  14. FridayChapter 10
  15. Chapter 11
  16. Chapter 12
  17. Chapter 13
  18. SaturdayChapter 14
  19. Chapter 15
  20. Chapter 16
  21. SundayChapter 17
  22. Chapter 18
  23. Chapter 19
  24. MondayChapter 20
  25. Chapter 21
  26. TuesdayChapter 22
  27. Chapter 23
  28. Chapter 24
  29. Chapter 25
  30. Chapter 26
  31. Chapter 27
  32. Chapter 28
  33. Chapter 29
  34. Chapter 30
  35. Chapter 31
  36. Chapter 32
  37. Chapter 33
  38. Chapter 34
  39. Chapter 35
  40. WednesdayChapter 36
  41. Chapter 37
  42. Chapter 38
  43. Chapter 39
  44. Chapter 40
  45. Chapter 41
  46. Chapter 42
  47. Chapter 43
  48. Chapter 44
  49. Chapter 45
  50. Chapter 46
  51. Chapter 47
  52. Chapter 48
  53. ThursdayChapter 49
  54. Chapter 50
  55. Chapter 51
  56. Chapter 52
  57. Chapter 53
  58. Chapter 54
  59. Chapter 55
  60. Chapter 56
  61. Chapter 57
  62. Chapter 58
  63. Chapter 59
  64. Chapter 60
  65. Chapter 61
  66. FridayChapter 62
  67. Chapter 63
  68. Chapter 64
  69. Chapter 65
  70. Chapter 66
  71. Chapter 67
  72. Chapter 68
  73. Chapter 69
  74. Chapter 70
  75. Chapter 71
  76. Chapter 72
  77. Chapter 73
  78. Chapter 74
  79. Chapter 75
  80. Chapter 76
  81. Chapter 77
  82. Epilogue
  83. Acknowledgments
  84. About the Author
  85. Also by Greg Iles
  86. About the Publisher

“You admitted to helping Viola kill Frank Knox because in hindsight that killing looks justified—even heroic. Remember the so-called DA’s test that Mr. Avery told us about in his opening statement? His famous two questions? One: Did the victim need killing? And two: Did the right person do the killing? Well, in Frank Knox’s case, the answer to both questions would be a resounding yes, at least in our hearts. Admitting to helping kill a gang rapist and murderer might technically carry a penalty, but it buys you an enormous amount of sympathy from the jury. By forthrightly confessing to one killing, you hope to buy our faith that you’re telling the truth when you deny a different one. You draw our attention to Frank Knox with one hand, while the other injects Viola Turner with deadly adrenaline. But we will not be taken in. Killing Viola Turner was a vile, shameful act—”

“Your Honor,” Quentin says in a weary voice, “did I fall asleep and wake up for the district attorney’s closing argument? I thought this was supposed be a cross-examination.”

Several lawyers titter in the rows behind me, but Joe Elder silences them with his dark eyes.

Shad turns back to my father. “There’s another reason you spoke so openly about that murder. It’s because you’re afraid that very soon we will be viewing the tape that Viola Turner made for Henry Sexton. And when that happens, we will find out about that crime in any case.”

Dad says nothing to this, and his face betrays no more.

“Isn’t that why you confessed to helping to commit and conceal that crime, Dr. Cage?”

“I’m not that devious, Mr. Johnson.”

“Don’t sell yourself short, Doctor. You were devious enough to carry on a secret affair with your employee while you were married. Devious enough to send her money for thirty-seven years without your family’s knowledge. Devious enough to conceal your part in a murder for the same amount of time. You’ve admitted all this under oath.”

Devious my father may be, but I’m betting his reckless honesty and conviction moved at least one or two jury members.

“Mr. Johnson,” Dad replies, “the only thing you just listed that felt wrong to me was having the affair. Hiding it from my wife. A few minutes ago, I swore to tell the whole truth and nothing but. I intend to do that, come hell or high water. What happened back then has been secret for too long. That’s why I admitted my part in Frank Knox’s murder. That son of a bitch deserved to die, and whoever killed Viola deserves the same treatment.”

Shad starts to protest, but in the end he settles for shaking his head in amazement.