Chapters (86)
- Cover
- Dedication
- Epigraph
- Prologue
- Chapter 1
- Chapter 2
- Chapter 3
- Chapter 4
- Chapter 5
- ThursdayChapter 6
- Chapter 7
- Chapter 8
- Chapter 9
- FridayChapter 10
- Chapter 11
- Chapter 12
- Chapter 13
- SaturdayChapter 14
- Chapter 15
- Chapter 16
- SundayChapter 17
- Chapter 18
- Chapter 19
- MondayChapter 20
- Chapter 21
- TuesdayChapter 22
- Chapter 23
- Chapter 24
- Chapter 25
- Chapter 26
- Chapter 27
- Chapter 28
- Chapter 29
- Chapter 30
- Chapter 31
- Chapter 32
- Chapter 33
- Chapter 34
- Chapter 35
- WednesdayChapter 36
- Chapter 37
- Chapter 38
- Chapter 39
- Chapter 40
- Chapter 41
- Chapter 42
- Chapter 43
- Chapter 44
- Chapter 45
- Chapter 46
- Chapter 47
- Chapter 48
- ThursdayChapter 49
- Chapter 50
- Chapter 51
- Chapter 52
- Chapter 53
- Chapter 54
- Chapter 55
- Chapter 56
- Chapter 57
- Chapter 58
- Chapter 59
- Chapter 60
- Chapter 61
- FridayChapter 62
- Chapter 63
- Chapter 64
- Chapter 65
- Chapter 66
- Chapter 67
- Chapter 68
- Chapter 69
- Chapter 70
- Chapter 71
- Chapter 72
- Chapter 73
- Chapter 74
- Chapter 75
- Chapter 76
- Chapter 77
- Epilogue
- Acknowledgments
- About the Author
- Also by Greg Iles
- About the Publisher
“You admitted to helping Viola kill Frank Knox because in hindsight that killing looks justified—even heroic. Remember the so-called DA’s test that Mr. Avery told us about in his opening statement? His famous two questions? One: Did the victim need killing? And two: Did the right person do the killing? Well, in Frank Knox’s case, the answer to both questions would be a resounding yes, at least in our hearts. Admitting to helping kill a gang rapist and murderer might technically carry a penalty, but it buys you an enormous amount of sympathy from the jury. By forthrightly confessing to one killing, you hope to buy our faith that you’re telling the truth when you deny a different one. You draw our attention to Frank Knox with one hand, while the other injects Viola Turner with deadly adrenaline. But we will not be taken in. Killing Viola Turner was a vile, shameful act—”
“Your Honor,” Quentin says in a weary voice, “did I fall asleep and wake up for the district attorney’s closing argument? I thought this was supposed be a cross-examination.”
Several lawyers titter in the rows behind me, but Joe Elder silences them with his dark eyes.
Shad turns back to my father. “There’s another reason you spoke so openly about that murder. It’s because you’re afraid that very soon we will be viewing the tape that Viola Turner made for Henry Sexton. And when that happens, we will find out about that crime in any case.”
Dad says nothing to this, and his face betrays no more.
“Isn’t that why you confessed to helping to commit and conceal that crime, Dr. Cage?”
“I’m not that devious, Mr. Johnson.”
“Don’t sell yourself short, Doctor. You were devious enough to carry on a secret affair with your employee while you were married. Devious enough to send her money for thirty-seven years without your family’s knowledge. Devious enough to conceal your part in a murder for the same amount of time. You’ve admitted all this under oath.”
Devious my father may be, but I’m betting his reckless honesty and conviction moved at least one or two jury members.
“Mr. Johnson,” Dad replies, “the only thing you just listed that felt wrong to me was having the affair. Hiding it from my wife. A few minutes ago, I swore to tell the whole truth and nothing but. I intend to do that, come hell or high water. What happened back then has been secret for too long. That’s why I admitted my part in Frank Knox’s murder. That son of a bitch deserved to die, and whoever killed Viola deserves the same treatment.”
Shad starts to protest, but in the end he settles for shaking his head in amazement.