Back Mississippi Blood
Chapters (86)
  1. Cover
  2. Dedication
  3. Epigraph
  4. Prologue
  5. Chapter 1
  6. Chapter 2
  7. Chapter 3
  8. Chapter 4
  9. Chapter 5
  10. ThursdayChapter 6
  11. Chapter 7
  12. Chapter 8
  13. Chapter 9
  14. FridayChapter 10
  15. Chapter 11
  16. Chapter 12
  17. Chapter 13
  18. SaturdayChapter 14
  19. Chapter 15
  20. Chapter 16
  21. SundayChapter 17
  22. Chapter 18
  23. Chapter 19
  24. MondayChapter 20
  25. Chapter 21
  26. TuesdayChapter 22
  27. Chapter 23
  28. Chapter 24
  29. Chapter 25
  30. Chapter 26
  31. Chapter 27
  32. Chapter 28
  33. Chapter 29
  34. Chapter 30
  35. Chapter 31
  36. Chapter 32
  37. Chapter 33
  38. Chapter 34
  39. Chapter 35
  40. WednesdayChapter 36
  41. Chapter 37
  42. Chapter 38
  43. Chapter 39
  44. Chapter 40
  45. Chapter 41
  46. Chapter 42
  47. Chapter 43
  48. Chapter 44
  49. Chapter 45
  50. Chapter 46
  51. Chapter 47
  52. Chapter 48
  53. ThursdayChapter 49
  54. Chapter 50
  55. Chapter 51
  56. Chapter 52
  57. Chapter 53
  58. Chapter 54
  59. Chapter 55
  60. Chapter 56
  61. Chapter 57
  62. Chapter 58
  63. Chapter 59
  64. Chapter 60
  65. Chapter 61
  66. FridayChapter 62
  67. Chapter 63
  68. Chapter 64
  69. Chapter 65
  70. Chapter 66
  71. Chapter 67
  72. Chapter 68
  73. Chapter 69
  74. Chapter 70
  75. Chapter 71
  76. Chapter 72
  77. Chapter 73
  78. Chapter 74
  79. Chapter 75
  80. Chapter 76
  81. Chapter 77
  82. Epilogue
  83. Acknowledgments
  84. About the Author
  85. Also by Greg Iles
  86. About the Publisher

Thankfully, we don’t have far to go: two and a half blocks southeast, one block southwest, and half a block northwest. I’d like to say something to reassure Annie and Mia, but after watching a man murdered before their eyes—while supposedly in an iron ring of security—there’s not much I can say. I’m only glad they know nothing about the videotapes John Kaiser just dropped on us like grenades tossed back into a foxhole after being flung out once before. The possible implications of the tape erased in the MRI machine are so grave that Will Devine’s murder already seems like a circus sideshow by comparison. No matter how I try to rationalize it, I can’t escape the conclusion that the “Dumpster tape” was inside Henry Sexton’s camcorder while Viola was being murdered, and that’s why my father tried to destroy it.

A lot of people are on the streets as we make our way home—standing outside businesses and residences as we roar up State Street, then veer right on Union. Obviously word of the courthouse attack has spread quickly.

The driver turns hard right again on Washington.

“Almost home,” I murmur, squeezing Annie.

“I’m okay,” she says, obviously trying to comfort me.

The armored Yukon pulls up in front of my house like an airliner with its thrust-reversers engaged—momentum keeps the heavy body moving forward even as the brakes stop the chassis and drivetrain. Then the body settles backward on the reinforced shocks.

“Everybody ready?” Tim asks, scanning 360 degrees around the vehicle for people and oncoming vehicles.

“Ready,” Serenity answers from the backseat.

“We’re all getting out at the same time. My group on my side, Joe’s group on the other. Understood?”

I look around to be sure everybody gets it. Mia and Serenity nod. I scoot Annie toward Tim so that Joe can push my seat forward in preparation for the quick exit. When the seat comes up, Tim says, “Three count. Ready? And . . . three, two, one—”

He shoves open the door and exits the vehicle, taking a combat stance outside as Annie and I leave the Yukon. Joe is first out on the other side, with Mia and Serenity following.

“Take Annie into the house,” Tim tells me, scanning the roofs of the nearby houses.

I’m pulling Annie onto the sidewalk when a thundering report reverberates between the houses. Shotgun, says a voice in my head as I snatch Annie into my arms.