Chapters (86)
- Cover
- Dedication
- Epigraph
- Prologue
- Chapter 1
- Chapter 2
- Chapter 3
- Chapter 4
- Chapter 5
- ThursdayChapter 6
- Chapter 7
- Chapter 8
- Chapter 9
- FridayChapter 10
- Chapter 11
- Chapter 12
- Chapter 13
- SaturdayChapter 14
- Chapter 15
- Chapter 16
- SundayChapter 17
- Chapter 18
- Chapter 19
- MondayChapter 20
- Chapter 21
- TuesdayChapter 22
- Chapter 23
- Chapter 24
- Chapter 25
- Chapter 26
- Chapter 27
- Chapter 28
- Chapter 29
- Chapter 30
- Chapter 31
- Chapter 32
- Chapter 33
- Chapter 34
- Chapter 35
- WednesdayChapter 36
- Chapter 37
- Chapter 38
- Chapter 39
- Chapter 40
- Chapter 41
- Chapter 42
- Chapter 43
- Chapter 44
- Chapter 45
- Chapter 46
- Chapter 47
- Chapter 48
- ThursdayChapter 49
- Chapter 50
- Chapter 51
- Chapter 52
- Chapter 53
- Chapter 54
- Chapter 55
- Chapter 56
- Chapter 57
- Chapter 58
- Chapter 59
- Chapter 60
- Chapter 61
- FridayChapter 62
- Chapter 63
- Chapter 64
- Chapter 65
- Chapter 66
- Chapter 67
- Chapter 68
- Chapter 69
- Chapter 70
- Chapter 71
- Chapter 72
- Chapter 73
- Chapter 74
- Chapter 75
- Chapter 76
- Chapter 77
- Epilogue
- Acknowledgments
- About the Author
- Also by Greg Iles
- About the Publisher
He makes eye contact with several women on the jury. “I’m not condoning an extramarital affair, ladies and gentlemen. We all know that adultery is wrong. But in extraordinary circumstances, the heart will seek its own comfort. And the flesh is weak, as the Good Book tells us.
“We can’t shy away from human truth in this court, however painful it might be. We have been called here specifically to uncover the truth. But Tom Cage is not on trial for adultery. And he has never denied that he had a relationship with Viola Turner. He didn’t advertise it, mind you, and I don’t blame him. In 1968, a revelation like that would have put his whole family in mortal danger. But neither did Dr. Cage try to deny that he might be Lincoln Turner’s father, once he’d been told of the child’s existence. Why didn’t he try to evade that responsibility? Because he’s not that kind of man. Tom Cage loved Viola, and she loved him in return. Theirs was a tragic affair. They were two good people caught in a bad situation. But whatever sins Tom Cage may have been guilty of in 1968, they have a lot more to do with the Seventh Commandment than the Sixth, which is not, by the way, ‘Thou shalt not kill,’ as most people quote it, but ‘Thou shalt not do murder.’”
While most people in the court try to remember what the Seventh Commandment was, Judge Elder says, “‘Thou shalt not commit adultery.’ That’s the Seventh Commandment.”
“Thank you, Judge,” Quentin says to the younger man, like a Sunday school teacher complimenting his favorite student.
Before Joe Elder can find a way to put Quentin back in his place, the click and whir of the wheelchair sounds, and Avery rolls out from behind the defense table. He steers toward the jury box, but stops a few feet short of it and speaks in a conspiratorial voice.
“Ladies and gentlemen, I’m going to let you in on a secret of the legal profession. There’s an interesting test that district attorneys apply when they decide whether or not to prosecute a murder case. They ask themselves two questions. One: Did the victim need killing? And two: Did the right person do the killing?” Quentin pauses to let these questions sink in. “If the answer to both those questions is yes, most DAs won’t touch the case with a barge pole.”
While the jury members ponder this, Quentin says, “That logic might seem cynical to laymen, but there’s a sound reason for it. And the reason is, sometimes judges don’t fully define reasonable doubt, and sometimes jurors follow their hearts instead of their heads to find it. We lawyers call that gut sense of right and wrong the Unwritten Law. Why? What is the Unwritten Law? Well, it’s exactly what it sounds—”