Back Mississippi Blood
Chapters (86)
  1. Cover
  2. Dedication
  3. Epigraph
  4. Prologue
  5. Chapter 1
  6. Chapter 2
  7. Chapter 3
  8. Chapter 4
  9. Chapter 5
  10. ThursdayChapter 6
  11. Chapter 7
  12. Chapter 8
  13. Chapter 9
  14. FridayChapter 10
  15. Chapter 11
  16. Chapter 12
  17. Chapter 13
  18. SaturdayChapter 14
  19. Chapter 15
  20. Chapter 16
  21. SundayChapter 17
  22. Chapter 18
  23. Chapter 19
  24. MondayChapter 20
  25. Chapter 21
  26. TuesdayChapter 22
  27. Chapter 23
  28. Chapter 24
  29. Chapter 25
  30. Chapter 26
  31. Chapter 27
  32. Chapter 28
  33. Chapter 29
  34. Chapter 30
  35. Chapter 31
  36. Chapter 32
  37. Chapter 33
  38. Chapter 34
  39. Chapter 35
  40. WednesdayChapter 36
  41. Chapter 37
  42. Chapter 38
  43. Chapter 39
  44. Chapter 40
  45. Chapter 41
  46. Chapter 42
  47. Chapter 43
  48. Chapter 44
  49. Chapter 45
  50. Chapter 46
  51. Chapter 47
  52. Chapter 48
  53. ThursdayChapter 49
  54. Chapter 50
  55. Chapter 51
  56. Chapter 52
  57. Chapter 53
  58. Chapter 54
  59. Chapter 55
  60. Chapter 56
  61. Chapter 57
  62. Chapter 58
  63. Chapter 59
  64. Chapter 60
  65. Chapter 61
  66. FridayChapter 62
  67. Chapter 63
  68. Chapter 64
  69. Chapter 65
  70. Chapter 66
  71. Chapter 67
  72. Chapter 68
  73. Chapter 69
  74. Chapter 70
  75. Chapter 71
  76. Chapter 72
  77. Chapter 73
  78. Chapter 74
  79. Chapter 75
  80. Chapter 76
  81. Chapter 77
  82. Epilogue
  83. Acknowledgments
  84. About the Author
  85. Also by Greg Iles
  86. About the Publisher

The district attorney of Adams County waits at the prosecution table like an actor in his prime waiting backstage at a Broadway theater. In five minutes, Shad will deliver his opening statement in the most important trial of his life—up to now, anyway. Unusually, he sits alone at the table. His assistant DA, a young male lawyer in his midthirties, sits in one of the chairs behind his table, backed against the bar.

Twenty feet to Shad’s left, Quentin Avery sits behind the defense table in his motorized wheelchair, a crocheted comforter tastefully covering his legless lap, a gray Armani jacket on his shoulders. To Quentin’s right—directly in the sight line of the jury—sits my father, as close to ramrod straight as he can manage with his arthritis and his osteoporotic spine. After three months in jail, Dad has lost twenty pounds. He’d already lost a good bit after the October heart attack; now his suit hangs off him the way suits do on fading men who don’t want to waste their children’s money on new clothes.

Doris Avery sits in one of two chairs placed several feet behind the defense table, her back against the bar. Most spectators probably assume she is a secretary rather than an attorney in her own right. And though I’m nominally part of the defense team, I’m sitting in the first row of the gallery behind the bar, between my mother and Rusty Duncan. My sister, Jenny, is sitting at Mom’s other shoulder. A helpful circuit clerk saved us seats immediately behind the defense table, which provides good optics in terms of supporting Dad but also limits our view of him to the back of his head.

Three months of sensational pretrial publicity have ensured that the opening of the trial proper is a standing-room-only event. With Caitlin’s sister running the Natchez Examiner, local newspaper coverage has been evenhanded, but the Jackson and Baton Rouge papers have had a field day with the lurid aspects of the case, and even the national media have run stories on the “landmark” trial. TV cameras are generally forbidden in Mississippi courtrooms, but I’ve heard that Judge Elder has been flooded with requests to make an exception to that rule. All it takes is a whiff of 1960s-flavored racism to bring the network hounds running. Thankfully, Joe Elder has so far denied all such requests, and instead allowed a half dozen pool reporters to make digital audio recordings of each day’s proceedings for accuracy, so long as they do not broadcast them. I’ve worried constantly that the judge would cave under pressure to allow the cameras in, but I suspect that Judge Elder knows Shad Johnson well enough to know he would play to the cameras every chance he got, and as for Quentin Avery: any lawyer nicknamed “Preacher” would be bound to find a way to use TV cameras to his advantage.