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Chapters (50)
  1. Cover
  2. Chapter 1
  3. Chapter 2
  4. Chapter 3
  5. Chapter 4
  6. Chapter 5
  7. Chapter 6
  8. Chapter 7
  9. Chapter 8
  10. Chapter 9
  11. Chapter 10
  12. Chapter 11
  13. Chapter 12
  14. Chapter 13
  15. Chapter 14
  16. Chapter 15
  17. Chapter 16
  18. Chapter 17
  19. Chapter 18
  20. Chapter 19
  21. Chapter 20
  22. Chapter 21
  23. Chapter 22
  24. Chapter 23
  25. Chapter 24
  26. Chapter 25
  27. Chapter 26
  28. Chapter 27
  29. Chapter 28
  30. Chapter 29
  31. Chapter 30
  32. Chapter 31
  33. Chapter 32
  34. Chapter 33
  35. Chapter 34
  36. Chapter 35
  37. Chapter 36
  38. Chapter 37
  39. Chapter 38
  40. Chapter 39
  41. Chapter 40
  42. Chapter 41
  43. Chapter 42
  44. Chapter 43
  45. Chapter 44
  46. Chapter 45
  47. Chapter 46
  48. Chapter 47
  49. Chapter 48
  50. ACKNOWLEDGMENTS

We made it to the barn. The hooded figures were closing in. Every time lightning struck they were steps closer, moving like a film with missing footage, scenes cut in half, motions jagged. It seemed impossible—the way they moved, the night, the storm, all of it. It was more like something from my visions than anything from real life. Grandma held the shotgun under her arm and yanked a huge key ring out of her jeans pocket, and she set to work on the lock. It was hard going in the rain and hail, and the key kept slipping. Thunder crashed around us, so deep and loud I felt it in my chest, and my heart thudded with it.

All around us the figures came closer.

“Hurry, Grandma!” I said.

“Almost got it,” she said. The lock fell into the mud. Grandma grabbed the big barn door and pushed it open. We ran inside, and I slid the door closed, bolting it from the inside.

The barn was utterly dark. Only the slightest sliver of lightning flash blinked under the door. I heard a kind of groan from the back of the barn, an animal noise. But it could have been the wind, or the rain and hail, or just my imagination. It could have been anything or nothing at all.

“Where are the lights, Grandma?” I said.

“No lights,” she said, nothing but a voice in the darkness. “Just the lantern. Hold on.”

I heard a flick, saw the small spark of a lighter trying to catch, until a flame shone and a small pale glow illuminated the barn.

The lantern light wasn’t much, but it was enough to show me that the barn didn’t look like any barn I’d ever seen before. There wasn’t any equipment in this barn, no hay or straw, no farm tools scattered about. Instead, rows of wooden benches sat on either side of a long walkway leading up to an elevated platform, a kind of stage. The walls were covered in what had to be more of Mom’s murals. But these were grander, more triumphant somehow: A young boy with the sun as his halo. A fiery pale moon dangling in a star-slathered sky. A cup full of golden coins overflowing. An orchard full of hummingbirds, the fruit dangling from the trees alive enough to eat. They felt like stained-glass windows, like they were pictures meant to tell a story, symbols crammed full of meaning. It was Mom’s masterpiece, there was no question about that.

This wasn’t a barn, and it never had been.

“Welcome, Lee,” said Grandma, the lantern glowing her face gold. “Welcome to your church.”

“My church?” I said.

“What is this, Lee?” said Murphy. “What the fuck is going on here?”