Chapters (64)
- Title Page
- Copyright Notice
- Dedication
- Acknowledgments
- Family Tree
- Epigraph
- Prologue
- I. Harry and Emma 1964–1965
- Chapter 1
- Chapter 2
- Chapter 3
- Chapter 4
- Chapter 5
- Chapter 6
- Chapter 7
- Chapter 8
- Chapter 9
- Chapter 10
- Chapter 11
- Chapter 12
- Chapter 13
- Chapter 14
- II. Lady Virginia Fenwick 1966
- Chapter 15
- Chapter 16
- III. Giles Barrington 1970
- Chapter 17
- Chapter 18
- Chapter 19
- Chapter 20
- Chapter 21
- Chapter 22
- Chapter 23
- IV. Sebastian Clifton 1970
- Chapter 24
- Chapter 25
- Chapter 26
- Chapter 27
- V. Lady Virginia Fenwick 1970
- Chapter 28
- Chapter 29
- Chapter 30
- Chapter 31
- Chapter 32
- VI. Sebastian Clifton 1970
- Chapter 33
- Chapter 34
- Chapter 35
- Chapter 36
- VII. Harry and Emma 1970
- Chapter 37
- Chapter 38
- Chapter 39
- Chapter 40
- Chapter 41
- Chapter 42
- Chapter 43
- Chapter 44
- Chapter 45
- Chapter 46
- Chapter 47
- About the Author
- Also by Jeffrey Archer
- Newsletter Sign-up
Stalin’s arrogance and insecurity reached the most farcical proportions when the great motion picture director, Sergei Eisenstein, was chosen to make a film called “October,” to be shown at the Bolshoi Theatre to mark the tenth anniversary of the October Revolution. Stalin turned up the day before the first screening and, after seeing the film, ordered Eisenstein to remove any reference to Trotsky, the man acknowledged by the Bolshevik Party as the genius behind the October coup, but now regarded by Stalin as his most dangerous rival. When the film was screened for the general public the following day, there was no mention of Trotsky from beginning to end, because he’d been consigned to the cutting-room floor. Pravda described the film as a masterpiece, and made no mention of the missing Trotsky. The paper’s previous editor, Sergei Peresky, was among those who had disappeared overnight for criticizing Stalin.
“We’ve run out of paper,” said the steward.
“How far are we from Stockholm?” asked Harry.
“About another hour, sir.” He hesitated. “I have one other source you might consider.”
“I’ll consider anything, rather than lose an hour.”
“We have two varieties,” said the steward. “First class or economy, but I think economy will serve your purpose better—a heavier texture and less absorbent.”
Both of them giggled like schoolboys as the steward produced a roll in one hand and a box in the other. Henry took his advice and chose economy.
“By the way, sir, I love your books.”
“This isn’t my book,” said Harry, as he continued writing.
Another persistent rumor his enemies spread was that during his youth Stalin was a double agent, working for the tsar’s secret police at the same time as being one of Lenin’s most trusted lieutenants. When Stalin’s enemies found out about his regular meetings with the tsar’s secret police, he simply claimed he was turning them into double agents so they could work for the revolutionaries, and whenever anyone reported him, they mysteriously disappeared soon afterward. So no one could ever be sure which side Stalin was working for; one cynic suggested whichever side looked like winning. Someone else who was never seen or heard of again.
Harry paused as he tried to remember the opening line of the next chapter.
By now, you will be asking yourself if I feared for my own life. No, because I was like wallpaper: I simply blended into the background, so no one ever noticed me. Very few of Stalin’s inner circle even knew my name. No one ever sought my opinion on anything, let alone my support. I was an apparatchik, a junior civil servant of no significance, and had I been replaced by a different colored wallpaper, I would have been forgotten within the hour.