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Chapters (64)
  1. Title Page
  2. Copyright Notice
  3. Dedication
  4. Acknowledgments
  5. Family Tree
  6. Epigraph
  7. Prologue
  8. I. Harry and Emma 1964–1965
  9. Chapter 1
  10. Chapter 2
  11. Chapter 3
  12. Chapter 4
  13. Chapter 5
  14. Chapter 6
  15. Chapter 7
  16. Chapter 8
  17. Chapter 9
  18. Chapter 10
  19. Chapter 11
  20. Chapter 12
  21. Chapter 13
  22. Chapter 14
  23. II. Lady Virginia Fenwick 1966
  24. Chapter 15
  25. Chapter 16
  26. III. Giles Barrington 1970
  27. Chapter 17
  28. Chapter 18
  29. Chapter 19
  30. Chapter 20
  31. Chapter 21
  32. Chapter 22
  33. Chapter 23
  34. IV. Sebastian Clifton 1970
  35. Chapter 24
  36. Chapter 25
  37. Chapter 26
  38. Chapter 27
  39. V. Lady Virginia Fenwick 1970
  40. Chapter 28
  41. Chapter 29
  42. Chapter 30
  43. Chapter 31
  44. Chapter 32
  45. VI. Sebastian Clifton 1970
  46. Chapter 33
  47. Chapter 34
  48. Chapter 35
  49. Chapter 36
  50. VII. Harry and Emma 1970
  51. Chapter 37
  52. Chapter 38
  53. Chapter 39
  54. Chapter 40
  55. Chapter 41
  56. Chapter 42
  57. Chapter 43
  58. Chapter 44
  59. Chapter 45
  60. Chapter 46
  61. Chapter 47
  62. About the Author
  63. Also by Jeffrey Archer
  64. Newsletter Sign-up

“Much better,” said Swann when they came to the end of the act. “That will do for today. Tomorrow, I want to start with the Banquo’s ghost scene. Rick, you must remember that Macbeth is the only person in the room who can see the ghost. Your guests at the dinner are fearful about what’s troubling you, some even think you’re losing your mind. And, Sarah, you’re trying to convince those same guests that all is well, and despite your husband’s strange behavior there’s nothing for them to worry about. And whatever you do, don’t ever look at the ghost, because if you should, even once, the spell will be broken. I’ll see you all at the same time tomorrow, and be sure you know your lines by then. After Monday, we abandon scripts.”

A groan went up as the actors left the stage and became school children once again, picking up their satchels and books and making their way out of the hall. It amused Seb to see Lady Macbeth clutching Banquo’s hand. No wonder Mr. Swann had told Sarah not to look at him during the ghost scene. Shrewd man.

Mr. Swann didn’t turn off the stage lights until he had all the props in place for the banquet scene. He then picked up his well-thumbed script, put in his old Gladstone bag, and headed slowly toward the door. At first he didn’t notice that someone was sitting at the back of the room, and he wasn’t able to hide his surprise when he saw who it was.

“We’re not doing Othello this year,” he said. “But if we were, I wouldn’t have to look far to cast Iago.”

“No, Mr. Swann, it’s Prince Hal you see before you, come on bended knee to beg forgiveness of the King, having made a dreadful mistake from which he may never recover.”

The old man stood still as Sebastian took out his wallet, extracted a check, and handed it over.

“But this is far more than we agreed on,” the former headmaster said, fumbling for words.

“Not if you still want those new dressing rooms, a proper curtain, and not to have to be satisfied with last year’s costumes.”

“Not to mention a separate changing room for the girls from Shifnal High,” said Swann. “But may I ask what you meant, Mr. Clifton, when you said you had made a dreadful mistake from which you may never recover?”

“It’s a long story,” said Seb, “and I’ll not bore you—”

“I’m an old man with time on my hands,” said Swann, sitting down opposite Seb.

Sebastian told Mr. Swann how he’d first seen Samantha at Jessica’s graduation ceremony and been struck dumb.

“I can’t imagine that happens to you too often,” said Swann with a smile.