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Chapters (41)
  1. ACKNOWLEDGEMENTS
  2. DRAMATIS PERSONAE
  3. Prologue
  4. I
  5. II
  6. BOOK ONE - THE SPARK AND THE ASHES
  7. CHAPTER ONE
  8. CHAPTER TWO
  9. CHAPTER THREE
  10. CHAPTER FOUR
  11. CHAPTER FIVE
  12. CHAPTER SIX
  13. BOOK TWO – HEARTHSTONE
  14. CHAPTER SEVEN
  15. CHAPTER EIGHT
  16. CHAPTER NINE
  17. CHAPTER TEN
  18. CHAPTER ELEVEN
  19. CHAPTER TWELVE
  20. CHAPTER THIRTEEN
  21. BOOK THREE - CAPUSTAN
  22. CHAPTER FOURTEEN
  23. CHAPTER FIFTEEN
  24. CHAPTER SIXTEEN
  25. CHAPTER SEVENTEEN
  26. CHAPTER EIGHTEEN
  27. CHAPTER NINETEEN
  28. CHAPTER TWENTY
  29. BOOK FOUR - MEMORIES OF ICE
  30. CHAPTER TWENTY-ONE
  31. CHAPTER TWENTY TWO
  32. CHAPTER TWENTY-THREE
  33. CHAPTER TWENTY-FOUR
  34. CHAPTER TWENTY-FIVE
  35. EPILOGUE
  36. GLOSSARY
  37. IN CAPUSTAN
  38. THE FOURTEEN ASCENDANTS OF CAPUTAN’S MASK COUNCIL
  39. PEOPLES AND PLACES
  40. THE WORLD OF SORCERY
  41. ASCENDANTS

Her wolves answered. Triumphantly.

They had found her once again.

A hand touched her cheek. ‘Gods, that was bloodcurdling.’

A familiar voice, but she could not yet place it.

Another man spoke, ‘There is more to this than we comprehend, Murillio. Look at her cheek.’

‘She has clawed herself—’

‘She cannot lift her arms, friend. And look, the nails are clean. She did not inflict this wound on herself.’

‘Then who did? I’ve been here all this time. Not even the old Rhivi woman has visited since I last looked upon her – and there was no wound then.’

‘As I said, there is a mystery here ...’

‘Coll, I don’t like this. Those nightmares – could they be real? Whatever pursues her in her dreams – are they able to physically damage her?’

‘We see the evidence—’

‘Aye, though I scarce believe my own eyes. Coll, this cannot go on.’

‘Agreed, Murillio. First chance in Capustan . . .’

‘The very first. Let’s move the wagon to the very front of the line – the sooner we reach the streets the better.’

‘As you say.’

CHAPTER TWENTY

CHAPTER TWENTY

It is a most ancient tale. Two gods from before the time of men and women. Longing and love and loss, the beasts doomed to wander through the centuries.

A tale of mores, told with the purpose of no resolution. Its meaning, gentle readers, lies not in a soul-warming conclusion, but in all that is unattainable in this world.

Who then could have imagined such closure?

Winter’s Love

Silbaratha

The heart of the vast palace lay buried in the cliff. Seas born to the east of the bay battered the cliff’s jagged hooves, lifting spray to darken the rockface. Immediately beyond the broken shore’s rough spars, the waters of Coral Bay pitched into inky blackness, fathoms deep. The city’s harbour was little more than a narrow, crooked cut on the lee side of the cliff, a depthless fissure that opened a split nearly bisecting the city. It was a harbour without docks. The sheer faces of the sides had been carved into long piers, surmounted by causeways. At high tide level, mooring rings had been driven into the living stone. Broad sweeps of thick netting, twice the height of an ocean trader’s masts, spanned the entire breadth of water from the harbour’s mouth all the way to its apex. Where no tethered anchor could touch the fjord’s bottom, and where the shores themselves offered no strand, no shallows whatsoever, a ship’s anchors were drawn upward. The cat-men, as they were called – that strange, almost tribal collection of workers who lived with their wives and children in shacks on the netting and whose sole profession was the winching of anchors and the tethering of sway-lines – had made of the task artistry in motion.