Carmichael stepped into the area by his helicopter and waved both arms while Sam and Remi kept their guns on their prisoners. The radio in Tim’s helicopter squealed. “We see you, Tim. You all right?” It was the voice of Art Bowen.

Tim snatched the microphone. “Yes. The Fargos are here with me. We’ve got five prisoners, two of them wounded.”

“Sit tight. We’re coming in.”

The helicopter landed, and three men came running, carrying M16 rifles. The middle-aged, stocky man piloting the helicopter came more slowly, but he was also armed with an M16.

As Sam and Remi walked with Tim Carmichael to watch Art Bowen and his men load the five prisoners into the helicopters, Remi said, “I’ll bet Tim would like to take a few days off after this.”

Carmichael climbed into the pilot’s seat and put on his just-recovered sunglasses. “You know, I just might. When I was listening to those five talk, I realized that the only reason I’m alive is that, without me, they couldn’t move the helicopter.”

Chapter 25

THE BURNED PATCH IN ALTA VERAPAZ,
THREE WEEKS LATER

Sarah Allersby walked from the pair of parked helicopters into the thick Guatemalan forest. The brush had grown over this trail a thousand years ago, so it would be difficult to demonstrate to her guests that this was a Mayan trail, although she was sure it was. She hacked her way along with a machete, watching her feet to find a spot that would be clear enough for the revelation.

She glanced back along the trail. There were fifteen journalists, all of them carrying complicated camera equipment and recorders and satellite phones. But they were all chattering away with one another about God knows what. They weren’t paying attention to the special place where she had brought them.

Sarah looked down and stopped, then called for their attention. “Look, everyone. We’re on a Mayan thoroughfare. It’s a paved foot road.” She stepped aside to let the journalists come forward to take pictures of the pavement. A few listlessly snapped the ground, with its layer of whitish cobbles, but more were inclined to take photographs of Sarah hacking through the overgrowth. That, she reflected, was all right too.