I went into the Pschorr Haus restaurant and ate a plate of bacon and broad beans, and drank a couple of beers. Either Jeschonnek knew nothing about diamonds, or he had something to hide. I’d told him that the necklace was Indian, when he ought to have recognized it as being by Cartier. Not only that, but he had failed to contradict me when I described the stones incorrectly as baguettes. Baguettes are square or oblong, with a straight edge; but Six’s necklace consisted of brilliants, which are round. And then there was the caratage; I’d said that each stone was a carat in weight, when they were obviously several times larger.

It wasn’t much to go on; and mistakes are made: it’s impossible always to pick up a stick by the right end; but all the same, I had this feeling in my socks that I was going to have to visit Jeschonnek again.

Chapter 8

8

After leaving Pschorr Haus, I went into the Haus Vaterland, which as well as housing the cinema where I was to meet Bruno Stahlecker, is also home to an almost infinite number of bars and cafés. The place is popular with the tourists, but it’s too old-fashioned to suit my taste: the great ugly halls, the silver paint, the bars with their miniature rainstorms and moving trains; it all belongs to a quaint old European world of mechanical toys and music-hall, leotarded strong-men and trained canaries. The other thing that makes it unusual is that it’s the only bar in Germany that charges for admission. Stahlecker was less than happy about it.

‘I had to pay twice,’ he grumbled. ‘Once at the front door, and again to come in here.’

‘You should have flashed your Sipo pass,’ I said. ‘You’d have got in for nothing. That’s the whole point of having it, isn’t it?’ Stahlecker looked blankly at the screen.

‘Very funny,’ he said. ‘What is this shit, anyway?’

‘Still the newsreel,’ I told him. ‘So what did you find out?’

‘There’s the small matter of last night to be dealt with yet.’

‘My word of honour, Bruno, I never saw the kid before.’ Stahlecker sighed wearily. ‘Apparently this Kolb was a small-time actor. One or two bit-parts in films, in the chorus-line in a couple of shows. Not exactly Richard Tauber. Now why would a fellow like that want to kill you? Unless maybe you’ve turned critic and gave him a few bad notices.’

‘I’ve got no more understanding of theatre than a dog has of laying a fire.’

‘But you do know why he tried to kill you, right?’