Back Mansfield Park and Mummies
Chapters (57)
  1. REGENCY ERA PRAISE FOR…
  2. MANSFIELD PARK AND MUMMIES:
  3. Dedication
  4. MANSFIELD PARK AND MUMMIES
  5. Chapter I
  6. Chapter II
  7. Chapter III
  8. Chapter IV
  9. Chapter V
  10. Chapter VI
  11. Chapter VII
  12. Chapter VIII
  13. Chapter IX
  14. Chapter X
  15. Chapter XI
  16. Chapter XII
  17. Chapter XIII
  18. Chapter XIV
  19. Chapter XV
  20. Chapter XVI
  21. Chapter XVII
  22. Chapter XVIII
  23. Chapter XIX
  24. Chapter XX
  25. Chapter XXI
  26. Chapter XXII
  27. Chapter XXIII
  28. Chapter XXIV
  29. Chapter XXV
  30. Chapter XXVI
  31. Chapter XXVII
  32. Chapter XXVIII
  33. Chapter XXIX
  34. Chapter XXX
  35. Chapter XXXI
  36. Chapter XXXII
  37. Chapter XXXIII
  38. Chapter XXXIV
  39. Chapter XXXV
  40. Chapter XXXVI
  41. Chapter XXXVII
  42. Chapter XXXVIII
  43. Chapter XXXIX
  44. Chapter XL
  45. Chapter XLI
  46. Chapter XLII
  47. Chapter XLIII
  48. Chapter XLIV
  49. Chapter XLV
  50. Chapter XLVI
  51. Chapter XLVII
  52. Chapter XLVIII
  53. APPENDIX
  54. APPENDIX 2
  55. Author’s After-Note
  56. About the Harridan
  57. Scholarly Footnotes

He stepped to the door, and, opening it, found himself on the stage of a theatre, opposite a ranting young man, who appeared likely to knock him down backwards. At the very moment of Yates perceiving Sir Thomas, and giving perhaps the very best start he had ever given in the whole course of his rehearsals, Tom Bertram entered at the other end of the room. Never had Tom found greater difficulty in keeping his countenance. His father’s looks of solemnity and amazement on this his first appearance on any stage, and the gradual metamorphosis of the impassioned Baron Wildenheim into the well-bred and easy Mr. Yates, making his bow and apology to Sir Thomas Bertram, was such an exhibition, such a piece of true acting, as he would not have lost upon any account. It would be the last—in all probability—the last scene on that stage; but he was sure there could not be a finer. The house would close with the greatest éclat.

There was little time, however, for the indulgence of any images of merriment. It was necessary for him to step forward and assist the introduction, and awkwardly he did his best. Sir Thomas received Mr. Yates with all the appearance of cordiality, but was really as far from pleased with the necessity of the acquaintance as with the manner of its commencement. Mr. Yates’s family and connexions were sufficiently known to him to render his introduction as the “particular friend”—another of the hundred particular, equally witless friends of his son—exceedingly unwelcome. It needed all the felicity of being home again to save Sir Thomas from anger on finding himself bewildered in his own house, and forced to admit the acquaintance of a young fool whom he felt sure of disapproving.

Tom understood his father’s thoughts to the best of his own questionable ability, and began to see that there might be some ground for offence—some reason for the glance his father gave towards the ceiling and stucco of the room and inquired with mild gravity after the fate of the billiard-table. After a few minutes of Sir Thomas exerting himself to speak with Mr. Yates, the three gentlemen returned to the drawing-room together, Sir Thomas with an increase of gravity.

“I come from your theatre,” said he composedly, as he sat down; “I found myself in it rather unexpectedly. Its vicinity to my own room—in every respect it took me by surprise, as I had not the smallest suspicion of your acting having assumed so serious a character. It appears a neat job, however, as far as I could judge by candlelight.”