Back Mansfield Park and Mummies
Chapters (57)
  1. REGENCY ERA PRAISE FOR…
  2. MANSFIELD PARK AND MUMMIES:
  3. Dedication
  4. MANSFIELD PARK AND MUMMIES
  5. Chapter I
  6. Chapter II
  7. Chapter III
  8. Chapter IV
  9. Chapter V
  10. Chapter VI
  11. Chapter VII
  12. Chapter VIII
  13. Chapter IX
  14. Chapter X
  15. Chapter XI
  16. Chapter XII
  17. Chapter XIII
  18. Chapter XIV
  19. Chapter XV
  20. Chapter XVI
  21. Chapter XVII
  22. Chapter XVIII
  23. Chapter XIX
  24. Chapter XX
  25. Chapter XXI
  26. Chapter XXII
  27. Chapter XXIII
  28. Chapter XXIV
  29. Chapter XXV
  30. Chapter XXVI
  31. Chapter XXVII
  32. Chapter XXVIII
  33. Chapter XXIX
  34. Chapter XXX
  35. Chapter XXXI
  36. Chapter XXXII
  37. Chapter XXXIII
  38. Chapter XXXIV
  39. Chapter XXXV
  40. Chapter XXXVI
  41. Chapter XXXVII
  42. Chapter XXXVIII
  43. Chapter XXXIX
  44. Chapter XL
  45. Chapter XLI
  46. Chapter XLII
  47. Chapter XLIII
  48. Chapter XLIV
  49. Chapter XLV
  50. Chapter XLVI
  51. Chapter XLVII
  52. Chapter XLVIII
  53. APPENDIX
  54. APPENDIX 2
  55. Author’s After-Note
  56. About the Harridan
  57. Scholarly Footnotes

Surprise, consciousness, and pleasure appeared in each of the three on this unexpected meeting; as Edmund was come on the very same business that had brought Miss Crawford. He too had his book, and was seeking Fanny, to ask her to rehearse with him, without knowing Miss Crawford to be in the house; and great was the joy and animation of being thus thrown together.

She could not equal them in their warmth. Her spirits sank under the glow of theirs, and Fanny felt herself becoming too nearly nothing. And now, she could not even warn Edmund of the danger that Miss Crawford represented. They must now rehearse together.

Edmund insisted it, till the quite willing lady could refuse no longer. Fanny was expected only to prompt and observe them—judge and critic, and, unknown to Edmund, a secret protector. For, more than once, Fanny noted how Miss Crawford subtly used her nuances of gaze and voice to nigh-mesmerize Edmund in the midst of his declamations. And each time it happened, Fanny was there, to make a small noise, a shuffle of pages, a clearing of her throat—which served to return him to awareness. It was so perfectly timed that even Miss Crawford began to notice that she was being obstructed from her mysterious dark intents.

Miss Crawford turned then, at last, and trained the full force of her intense basilisk gaze upon Fanny.

It was unclear as to what results she was expecting, but in response, Fanny merely blinked, and then inquired very politely—and very much in control of her faculties—“Miss Crawford? Is there something you require? Is anything wrong?”

Miss Crawford only continued to stare at her, periodically narrowing and widening her eyes, all without blinking, and Fanny began to sense a great gathering of cold in the room all around them, a buildup of pressing darkness. Poor Edmund, meanwhile, had gone into a definite daze, and was motionless.

“Miss Crawford?” repeated Fanny, not sure what else to do at that point, short of continuing to pretend ignorance. “Miss Crawford, you appear to have a facial tick.”

Miss Crawford finally gave up the stare and in arch annoyance lifted one brow. “Miss Price,” she said. “My dear Fanny Price, I want you to rise from your seat. Get up, Fanny, and dance a reel for me.”

“Beg pardon?” said Fanny, allowing one of her own brows to rise.

Miss Crawford’s lips parted in surprise. She then leaned forward in Fanny’s direction and redoubled her stare. “Look into my eyes, Miss Price!” she uttered in a decidedly commanding tone of voice.

“Miss Crawford, I am looking into your eyes, as you say,” replied Fanny, in an unexpectedly calm manner. “And indeed, they are quite lovely. But—whatever do you mean that I dance a reel? I am certainly at a loss, and unsure of your meaning, Miss Crawford—is there a reel required in this scene of Lovers’ Vows?”