Back Mansfield Park and Mummies
Chapters (57)
  1. REGENCY ERA PRAISE FOR…
  2. MANSFIELD PARK AND MUMMIES:
  3. Dedication
  4. MANSFIELD PARK AND MUMMIES
  5. Chapter I
  6. Chapter II
  7. Chapter III
  8. Chapter IV
  9. Chapter V
  10. Chapter VI
  11. Chapter VII
  12. Chapter VIII
  13. Chapter IX
  14. Chapter X
  15. Chapter XI
  16. Chapter XII
  17. Chapter XIII
  18. Chapter XIV
  19. Chapter XV
  20. Chapter XVI
  21. Chapter XVII
  22. Chapter XVIII
  23. Chapter XIX
  24. Chapter XX
  25. Chapter XXI
  26. Chapter XXII
  27. Chapter XXIII
  28. Chapter XXIV
  29. Chapter XXV
  30. Chapter XXVI
  31. Chapter XXVII
  32. Chapter XXVIII
  33. Chapter XXIX
  34. Chapter XXX
  35. Chapter XXXI
  36. Chapter XXXII
  37. Chapter XXXIII
  38. Chapter XXXIV
  39. Chapter XXXV
  40. Chapter XXXVI
  41. Chapter XXXVII
  42. Chapter XXXVIII
  43. Chapter XXXIX
  44. Chapter XL
  45. Chapter XLI
  46. Chapter XLII
  47. Chapter XLIII
  48. Chapter XLIV
  49. Chapter XLV
  50. Chapter XLVI
  51. Chapter XLVII
  52. Chapter XLVIII
  53. APPENDIX
  54. APPENDIX 2
  55. Author’s After-Note
  56. About the Harridan
  57. Scholarly Footnotes

“Nay,” said Edmund, who began to listen with alarm. “Let us do nothing by halves. If we are to act, let it be in a theatre completely fitted up with pit, boxes, and gallery, and let us have a play entire from beginning to end; so as it be a German play, no matter what, with a good tricking, shifting afterpiece, and a figure-dance, and a hornpipe, and a song between the acts. If we do not outdo Ecclesford, we do nothing.”

“Why not a fullblown opera, then,” sounded the soft, sarcastic voice of Lord Eastwind. “Aida has both the grandeur and the scenery. All that is lacking would be dulcet singers. Or perchance not—we have Miss Crawford. But nay, of course, we don’t have Aida itself, not in another fifty earthly years—”

Once again, it seemed that the only one who heard him speak these decidedly incomprehensible words was Fanny. Lord Eastwind watched her, long moments after he ceased talking.

But Fanny said nothing, and attempted to occupy her gaze elsewhere.

“Now, Edmund, do not be disagreeable,” meanwhile said Julia. “Nobody loves a play better than you do.”

“True, to see real acting, good hardened real acting; not the raw efforts of gentlemen and ladies, who have all the disadvantages of education and decorum to struggle through.”

After a short pause, however, the subject still continued, and was discussed with unabated eagerness. Nothing was settled but that Tom Bertram would prefer a comedy, and his sisters and Henry Crawford a tragedy, and that it was a mere trifle to find a piece which would please them all. The resolution to act seemed so decided as to make Edmund quite uncomfortable. He was determined to prevent it, if possible, though his mother did not evince the least disapprobation.

Lady Bertram merely glanced at Lord Eastwind, and muttered nonsense that sounded like: “Whatever the Lordship His Pharaonic Mummyness commands.”

The raven-haired gentleman barely inclined his head. In that moment, a servant walking behind his seat with a tray of tea service, paused momentarily, as though placed in a trance, and went still for a span of three seconds, leaning in sudden weariness against the Lord’s chair.

Fanny alone saw the gloved fingers of Lord Eastwind make contact with the servant’s coat-sleeves.

It was only for a briefest moment. . . .

And the next, Lord Eastwind’s exotic black eyes acquired a new brilliance, and his sallow windblown cheeks appeared to smooth out in a bloom of health.

The same evening afforded Edmund an opportunity of trying his strength. Maria, Julia, Henry Crawford, and Mr. Yates were in the billiard-room. Tom (returning into the drawing-room, where Edmund was standing thoughtfully by the fire, Lady Bertram on the sofa at a little distance, Lord Eastwind reclined in a wingchair moved back in the shadows nearby, and Fanny close beside her ladyship, arranging her work) thus began as he entered—