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Chapters (57)
  1. Manfred
  2. Manfred
  3. INTRODUCTION TO MANFRED
  4. Scene II.—The Mountain of the Jungfrau.—Time, Morning.—Manfred alone upon the cliffs.
  5. Scene IV.—The Hall ofArimanes.—Arimanes on his Throne, a Globe of Fire, surrounded by the Spirits.
  6. Scene IV.—Interior of the Tower.
  7. The Life of Lord Byron by John Galt
  8. AUTHOR’S INTRODUCTION
  9. CHAPTER I
  10. CHAPTER II
  11. CHAPTER III
  12. CHAPTER IV
  13. CHAPTER V
  14. CHAPTER VI
  15. CHAPTER VII
  16. CHAPTER VIII
  17. CHAPTER IX
  18. CHAPTER X
  19. CHAPTER XI
  20. CHAPTER XII
  21. CHAPTER XIII
  22. CHAPTER XIV
  23. CHAPTER XV
  24. CHAPTER XVI
  25. CHAPTER XVII
  26. CHAPTER XVIII
  27. CHAPTER XIX
  28. CHAPTER XX
  29. CHAPTER XXI
  30. CHAPTER XXII
  31. CHAPTER XXIII
  32. CHAPTER XXIV
  33. CHAPTER XXV
  34. CHAPTER XXVI
  35. CHAPTER XXVII
  36. CHAPTER XXVIII
  37. CHAPTER XXIX
  38. CHAPTER XXX
  39. CHAPTER XXXI
  40. CHAPTER XXXII
  41. CHAPTER XXXIII
  42. CHAPTER XXXIV
  43. CHAPTER XXXV
  44. CHAPTER XXXVI
  45. CHAPTER XXXVII
  46. CHAPTER XXXVIII
  47. CHAPTER XXXIX
  48. CHAPTER XL
  49. CHAPTER XLI
  50. CHAPTER XLII
  51. CHAPTER XLIII
  52. CHAPTER XLIV
  53. CHAPTER XLV
  54. CHAPTER XLVI
  55. CHAPTER XLVII
  56. CHAPTER XLVIII
  57. CHAPTER XLIX

Previously to their arrival at Genoa, a house had been taken for Lord Byron and the Guiccioli in Albaro, a pleasant village on a hill, in the vicinity of the city; it was the Casa Saluzzi, and I have been told, that during the time he resided there, he seemed to enjoy a more uniform and temperate gaiety than in any former period of his life.  There might have been less of sentiment in his felicity, than when he lived at Ravenna, as he seldom wrote poetry, but he appeared to some of his occasional visitors, who knew him in London, to have become more agreeable and manly.  I may add, at the risk of sarcasm for the vanity, that in proof of his mellowed temper towards me, besides the kind frankness with which he received my friend, as already mentioned, he sent me word, by the Earl of Blesinton, that he had read my novel of The Entail three times, and thought the old Leddy Grippy one of the most living-like heroines he had ever met with.  This was the more agreeable, as I had heard within the same week, that Sir Walter Scott had done and said nearly the same thing.  Half the compliment from two such men would be something to be proud of.

Lord Byron’s residence at Albaro was separate from that of Mr Hunt, and, in consequence, they were more rarely together than when domiciled under the same roof as at Pisa.  Indeed, by this time, if one may take Mr Hunt’s own account of the matter, they appear to have become pretty well tired of each other.  He had found out that a peer is, as a friend, but as a plebeian, and a great poet not always a high-minded man.  His Lordship had, on his part, discovered that something more than smartness or ingenuity is necessary to protect patronage from familiarity.  Perhaps intimate acquaintance had also tended to enable him to appreciate, with greater accuracy, the meretricious genius and artificial tastes of his copartner in The Liberal.  It is certain that he laughed at his affected admiration of landscapes, and considered his descriptions of scenery as drawn from pictures.

One day, as a friend of mine was conversing with his Lordship at the Casa Saluzzi, on the moral impressions of magnificent scenery, he happened to remark that he thought the view of the Alps in the evening, from Turin, the sublimest scene he had ever beheld.  “It is impossible,” said he, “at such a time, when all the west is golden and glowing behind them, to contemplate such vast masses of the Deity without being awed into rest, and forgetting such things as man and his follies.”—“Hunt,” said his Lordship, smiling, “has no perception of the sublimity of Alpine scenery; he calls a mountain a great impostor.”