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Chapters (57)
  1. Manfred
  2. Manfred
  3. INTRODUCTION TO MANFRED
  4. Scene II.—The Mountain of the Jungfrau.—Time, Morning.—Manfred alone upon the cliffs.
  5. Scene IV.—The Hall ofArimanes.—Arimanes on his Throne, a Globe of Fire, surrounded by the Spirits.
  6. Scene IV.—Interior of the Tower.
  7. The Life of Lord Byron by John Galt
  8. AUTHOR’S INTRODUCTION
  9. CHAPTER I
  10. CHAPTER II
  11. CHAPTER III
  12. CHAPTER IV
  13. CHAPTER V
  14. CHAPTER VI
  15. CHAPTER VII
  16. CHAPTER VIII
  17. CHAPTER IX
  18. CHAPTER X
  19. CHAPTER XI
  20. CHAPTER XII
  21. CHAPTER XIII
  22. CHAPTER XIV
  23. CHAPTER XV
  24. CHAPTER XVI
  25. CHAPTER XVII
  26. CHAPTER XVIII
  27. CHAPTER XIX
  28. CHAPTER XX
  29. CHAPTER XXI
  30. CHAPTER XXII
  31. CHAPTER XXIII
  32. CHAPTER XXIV
  33. CHAPTER XXV
  34. CHAPTER XXVI
  35. CHAPTER XXVII
  36. CHAPTER XXVIII
  37. CHAPTER XXIX
  38. CHAPTER XXX
  39. CHAPTER XXXI
  40. CHAPTER XXXII
  41. CHAPTER XXXIII
  42. CHAPTER XXXIV
  43. CHAPTER XXXV
  44. CHAPTER XXXVI
  45. CHAPTER XXXVII
  46. CHAPTER XXXVIII
  47. CHAPTER XXXIX
  48. CHAPTER XL
  49. CHAPTER XLI
  50. CHAPTER XLII
  51. CHAPTER XLIII
  52. CHAPTER XLIV
  53. CHAPTER XLV
  54. CHAPTER XLVI
  55. CHAPTER XLVII
  56. CHAPTER XLVIII
  57. CHAPTER XLIX

Although Lord Byron resided between two and three years at Venice, he was never much attached to it.  “To see a city die daily, as she does,” said he, “is a sad contemplation.  I sought to distract my mind from a sense of her desolation and my own solitude, by plunging into a vortex that was anything but pleasure.  When one gets into a mill-stream, it is difficult to swim against it, and keep out of the wheels.”  He became tired and disgusted with the life he led at Venice, and was glad to turn his back on it.  About the close of the year 1819 he accordingly removed to Ravenna; but before I proceed to speak of the works which he composed at Ravenna, it is necessary to explain some particulars respecting a personal affair, the influence of which on at least one of his productions is as striking as any of the many instances already described upon others.  I allude to the intimacy which he formed with the young Countess Guiccioli.

This lady, at the age of sixteen, was married to the Count, one of the richest noblemen in Romagna, but far advanced in life.  “From the first,” said Lord Byron, in his account of her, “they had separate apartments, and she always called him, Sir!  What could be expected from such a preposterous connection.  For some time she was an Angiolina and he a Marino Faliero, a good old man; but young Italian women are not satisfied with good old men, and the venerable Count did not object to her availing herself of the privileges of her country in selecting a cicisbeo; an Italian would have made it quite agreeable: indeed, for some time he winked at our intimacy, but at length made an exception against me, as a foreigner, a heretic, an Englishman, and, what was worse than all, a Liberal.

“He insisted—Teresa was as obstinate—her family took her part.  Catholics cannot get divorces; but to the scandal of all Romagna, the matter was at last referred to the Pope, who ordered her a separate maintenance on condition that she should reside under her father’s roof.  All this was not agreeable, and at length I was forced to smuggle her out of Ravenna, having discovered a plot laid with the sanction of the legate, for shutting her up in a convent for life.”