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Chapters (57)
  1. Manfred
  2. Manfred
  3. INTRODUCTION TO MANFRED
  4. Scene II.—The Mountain of the Jungfrau.—Time, Morning.—Manfred alone upon the cliffs.
  5. Scene IV.—The Hall ofArimanes.—Arimanes on his Throne, a Globe of Fire, surrounded by the Spirits.
  6. Scene IV.—Interior of the Tower.
  7. The Life of Lord Byron by John Galt
  8. AUTHOR’S INTRODUCTION
  9. CHAPTER I
  10. CHAPTER II
  11. CHAPTER III
  12. CHAPTER IV
  13. CHAPTER V
  14. CHAPTER VI
  15. CHAPTER VII
  16. CHAPTER VIII
  17. CHAPTER IX
  18. CHAPTER X
  19. CHAPTER XI
  20. CHAPTER XII
  21. CHAPTER XIII
  22. CHAPTER XIV
  23. CHAPTER XV
  24. CHAPTER XVI
  25. CHAPTER XVII
  26. CHAPTER XVIII
  27. CHAPTER XIX
  28. CHAPTER XX
  29. CHAPTER XXI
  30. CHAPTER XXII
  31. CHAPTER XXIII
  32. CHAPTER XXIV
  33. CHAPTER XXV
  34. CHAPTER XXVI
  35. CHAPTER XXVII
  36. CHAPTER XXVIII
  37. CHAPTER XXIX
  38. CHAPTER XXX
  39. CHAPTER XXXI
  40. CHAPTER XXXII
  41. CHAPTER XXXIII
  42. CHAPTER XXXIV
  43. CHAPTER XXXV
  44. CHAPTER XXXVI
  45. CHAPTER XXXVII
  46. CHAPTER XXXVIII
  47. CHAPTER XXXIX
  48. CHAPTER XL
  49. CHAPTER XLI
  50. CHAPTER XLII
  51. CHAPTER XLIII
  52. CHAPTER XLIV
  53. CHAPTER XLV
  54. CHAPTER XLVI
  55. CHAPTER XLVII
  56. CHAPTER XLVIII
  57. CHAPTER XLIX

Childe Harold’s Pilgrimage was accordingly placed in his hands; Mr Dallas took it home, and was not slow in discovering its beauties, for in the course of the same evening he despatched a note to his Lordship, as fair a specimen of the style of an elderly patronising gentleman as can well be imagined: “You have written,” said he, “one of the most delightful poems I ever read.  If I wrote this in flattery, I should deserve your contempt rather than your friendship.  I have been so fascinated with Childe Harold, that I have not been able to lay it down; I would almost pledge my life on its advancing the reputation of your poetical powers, and on its gaining you great honour and regard, if you will do me the credit and favour of attending to my suggestions.”

For some reason or another, Lord Byron, however, felt or feigned great reluctance to publish Childe Harold.  Possibly his repugnance was dictated by diffidence, not with respect to its merits, but from a consciousness that the hero of the poem exhibited traits and resemblances of himself.  It would indeed be injustice to his judgment and taste, to suppose he was not sensible of the superiority of the terse and energetic poetry which brightens and burns in every stanza of the Pilgrimage, compared with the loose and sprawling lines, and dull rhythm, of the paraphrase.  It is true that he alleged it had been condemned by a good critic—the only one who had previously seen it—probably Mr Hobhouse, who was with him during the time he was writing it; but still I cannot conceive he was so blind to excellence, as to prefer in sincerity the other composition, which was only an imitation.  But the arguments of Mr Dallas prevailed and in due season Childe Harold was prepared for the press.

In the meantime, while busily engaged in his literary projects with Mr Dallas, and in law affairs with his agent, he was suddenly summoned to Newstead by the state of his mother’s health: before he had reached the Abbey she had breathed her last.  The event deeply affected him; he had not seen her since his return, and a presentiment possessed her when they parted, that she was never to see him again.

Notwithstanding her violent temper and other unseemly conduct, her affection for him had been so fond and dear, that he undoubtedly returned it with unaffected sincerity; and from many casual and incidental expressions which I have heard him employ concerning her, I am persuaded that his filial love was not at any time even of an ordinary kind.  During her life he might feel uneasy respecting her, apprehensive on account of her ungovernable passions and indiscretions, but the manner in which he lamented her death, clearly proves that the integrity of his affection had never been impaired.