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Chapters (57)
  1. Manfred
  2. Manfred
  3. INTRODUCTION TO MANFRED
  4. Scene II.—The Mountain of the Jungfrau.—Time, Morning.—Manfred alone upon the cliffs.
  5. Scene IV.—The Hall ofArimanes.—Arimanes on his Throne, a Globe of Fire, surrounded by the Spirits.
  6. Scene IV.—Interior of the Tower.
  7. The Life of Lord Byron by John Galt
  8. AUTHOR’S INTRODUCTION
  9. CHAPTER I
  10. CHAPTER II
  11. CHAPTER III
  12. CHAPTER IV
  13. CHAPTER V
  14. CHAPTER VI
  15. CHAPTER VII
  16. CHAPTER VIII
  17. CHAPTER IX
  18. CHAPTER X
  19. CHAPTER XI
  20. CHAPTER XII
  21. CHAPTER XIII
  22. CHAPTER XIV
  23. CHAPTER XV
  24. CHAPTER XVI
  25. CHAPTER XVII
  26. CHAPTER XVIII
  27. CHAPTER XIX
  28. CHAPTER XX
  29. CHAPTER XXI
  30. CHAPTER XXII
  31. CHAPTER XXIII
  32. CHAPTER XXIV
  33. CHAPTER XXV
  34. CHAPTER XXVI
  35. CHAPTER XXVII
  36. CHAPTER XXVIII
  37. CHAPTER XXIX
  38. CHAPTER XXX
  39. CHAPTER XXXI
  40. CHAPTER XXXII
  41. CHAPTER XXXIII
  42. CHAPTER XXXIV
  43. CHAPTER XXXV
  44. CHAPTER XXXVI
  45. CHAPTER XXXVII
  46. CHAPTER XXXVIII
  47. CHAPTER XXXIX
  48. CHAPTER XL
  49. CHAPTER XLI
  50. CHAPTER XLII
  51. CHAPTER XLIII
  52. CHAPTER XLIV
  53. CHAPTER XLV
  54. CHAPTER XLVI
  55. CHAPTER XLVII
  56. CHAPTER XLVIII
  57. CHAPTER XLIX

The best of all Byron’s works, the most racy and original, are undoubtedly those which relate to Greece; but it is only travellers who have visited the scenes that can appreciate them properly.  In them his peculiar style and faculty are most eminent; in all his other productions, imitation, even mere translation may be often traced, and though, without question, everything he touched became transmuted into something more beautiful and precious, yet he was never so masterly as in describing the scenery of Greece, and Albanian manners.  In a general estimate of his works, it may be found that he has produced as fine or finer passages than any in his Grecian poems; but their excellence, either as respects his own, or the productions of others, is comparative.  In the Grecian poems he is only truly original; in them the excellence is all his own, and they possess the rare and distinguished quality of being as true to fact and nature, as they are brilliant in poetical expression.  Childe Harold’s Pilgrimage is the most faithful descriptive poem which has been written since the Odyssey; and the occasional scenes introduced into the other poems, when the action is laid in Greece, are equally vivid and glowing.

When I saw him at Athens, the spring was still shrinking in the bud.  It was not until he returned from Constantinople in the following autumn, that he saw the climate and country with those delightful aspects which he has delineated with so much felicity in The Giaour and The Corsair.  It may, however, be mentioned, that the fine description of a calm sunset, with which the third canto of The Corsair opens, has always reminded me of the evening before his departure from Athens, owing to the circumstance of my having, in the course of the day, visited the spot which probably suggested the scene described.

It was the 4th of March, 1810; the Pylades sloop of war came that morning into the Piræus, and landed Dr Darwin, a son of the poet, with his friend, Mr Galton, who had come out in her for a cruise.  Captain Ferguson, her commander, was so kind as to offer the English then in Athens, viz., Lord Byron, Mr Hobhouse, and myself, a passage to Smyrna.  As I had not received my luggage from Specia, I could not avail myself of the offer, but the other two did: I accompanied Captain Ferguson, however, and Dr Darwin, in a walk to the Straits of Salamis; the ship, in the meantime, after landing them, having been moored there.