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Chapters (57)
  1. Manfred
  2. Manfred
  3. INTRODUCTION TO MANFRED
  4. Scene II.—The Mountain of the Jungfrau.—Time, Morning.—Manfred alone upon the cliffs.
  5. Scene IV.—The Hall ofArimanes.—Arimanes on his Throne, a Globe of Fire, surrounded by the Spirits.
  6. Scene IV.—Interior of the Tower.
  7. The Life of Lord Byron by John Galt
  8. AUTHOR’S INTRODUCTION
  9. CHAPTER I
  10. CHAPTER II
  11. CHAPTER III
  12. CHAPTER IV
  13. CHAPTER V
  14. CHAPTER VI
  15. CHAPTER VII
  16. CHAPTER VIII
  17. CHAPTER IX
  18. CHAPTER X
  19. CHAPTER XI
  20. CHAPTER XII
  21. CHAPTER XIII
  22. CHAPTER XIV
  23. CHAPTER XV
  24. CHAPTER XVI
  25. CHAPTER XVII
  26. CHAPTER XVIII
  27. CHAPTER XIX
  28. CHAPTER XX
  29. CHAPTER XXI
  30. CHAPTER XXII
  31. CHAPTER XXIII
  32. CHAPTER XXIV
  33. CHAPTER XXV
  34. CHAPTER XXVI
  35. CHAPTER XXVII
  36. CHAPTER XXVIII
  37. CHAPTER XXIX
  38. CHAPTER XXX
  39. CHAPTER XXXI
  40. CHAPTER XXXII
  41. CHAPTER XXXIII
  42. CHAPTER XXXIV
  43. CHAPTER XXXV
  44. CHAPTER XXXVI
  45. CHAPTER XXXVII
  46. CHAPTER XXXVIII
  47. CHAPTER XXXIX
  48. CHAPTER XL
  49. CHAPTER XLI
  50. CHAPTER XLII
  51. CHAPTER XLIII
  52. CHAPTER XLIV
  53. CHAPTER XLV
  54. CHAPTER XLVI
  55. CHAPTER XLVII
  56. CHAPTER XLVIII
  57. CHAPTER XLIX

From the ruins of the temple the travellers returned to Keratéa, by the eastern coast of Attica, passing through that district of country where the silver mines are situated; which, according to Sir George Wheler, were worked with some success about a hundred and fifty years ago.  They then set out for Marathon, taking Rapthi in their way; where, in the lesser port, on a steep rocky island, they beheld, from a distance, the remains of a colossal statue.  They did not, however, actually inspect it, but it has been visited by other travellers, who have described it to be of white marble, sedent on a pedestal.  The head and arms are broken off; but when entire, it is conjectured to have been twelve feet in height.  As they were passing round the shore they heard the barking of dogs, and a shout from a shepherd, and on looking round saw a large dun-coloured wolf, galloping slowly through the bushes.

Such incidents and circumstances, in the midst of the most romantic scenery of the world, with wild and lawless companions, and a constant sense of danger, were full of poetry, and undoubtedly contributed to the formation of the peculiar taste of Byron’s genius.  As it has been said of Salvator Rosa, the painter, that he derived the characteristic savage force of his pencil from his youthful adventures with banditti; it may be added of Byron, that much of his most distinguished power was the result of his adventures as a traveller in Greece.  His mind and memory were filled with stores of the fittest imagery, to supply becoming backgrounds and appendages, to the characters and enterprises which he afterward depicted with such truth of nature and poetical effect.

After leaving Rapthi, keeping Mount Pentilicus on the left, the travellers came in sight of the ever-celebrated Plain of Marathon.  The evening being advanced, they passed the barrow of the Athenian slain unnoticed, but next morning they examined minutely the field of battle, and fancied they had made antiquarian discoveries.  In their return to Athens they inspected the different objects of research and fragments of antiquity, which still attract travellers, and with the help of Chandler and Pausanias, endeavoured to determine the local habitation and the name of many things, of which the traditions have perished and the forms have relapsed into rock.