They visited and drank of Castalia, and the prophetic font, Cassotis; but still, like every other traveller, they were disappointed.  Parnassus is an emblem of the fortune that attends the votaries of the Muses, harsh, rugged, and barren.  The woods that once waved on Delphi’s steep have all passed away, and may now be sought in vain.

A few traces of terraces may yet be discovered—here and there the stump of a column, while niches for receiving votive offerings are numerous among the cliffs, but it is a lone and dismal place; Desolation sits with Silence, and Ruin there is so decayed as to be almost Oblivion.

Parnassus is not so much a single mountain as the loftiest of a range; the cloven summit appears most conspicuous when seen from the south.  The northern view is, however, more remarkable, for the cleft is less distinguishable, and seven lower peaks suggest, in contemplation with the summits, the fancy of so many seats of the Muses.  These peaks, nine in all, are the first of the hills which receive the rising sun, and the last that in the evening part with his light.

From Delphi the travellers proceeded towards Livadia, passing in the course of the journey the confluence of the three roads where Œdipus slew his father, an event with its hideous train of fatalities which could not be recollected by Byron on the spot, even after the tales of guilt he had gathered in his Albanian journeys, without agitating associations.

At Livadia they remained the greater part of three days, during which they examined with more than ordinary minuteness the cave of Trophonius, and the streams of the Hercyna, composed of the mingled waters of the two fountains of Oblivion and Memory.