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Making Cocoa for Kingsley Amis

Wendy Cope
Contents (49)
  1. Making Cocoa for Kingsley Amis
  2. Contents
  3. Engineers’ Corner
  4. All-Purpose Poem for State Occasions
  5. A Policeman’s Lot
  6. Reading Scheme
  7. A Nursery Rhyme
  8. A Nursery Rhyme
  9. Waste Land Limericks
  10. Triolet
  11. Emily Dickinson
  12. Proverbial Ballade
  13. Advertisement
  14. Lonely Hearts
  15. On Finding an Old Photograph
  16. Tich Miller
  17. At 3 a.m.
  18. From June to December
  19. My Lover
  20. Rondeau Redoublé
  21. Message
  22. Giving Up Smoking
  23. Manifesto
  24. Mr Strugnell
  25. Budgie Finds His Voice
  26. Usquebaugh
  27. The Lavatory Attendant
  28. E Pericoloso Sporgersi
  29. Duffa Rex
  30. I
  31. II
  32. Strugnell in Liverpool
  33. Narrative
  34. God and The Jolly Bored Bog-Mouse
  35. From Strugnell’s Sonnets
  36. (i) The expense of spirits,
  37. (ii) Not from the stars,
  38. (iii) My glass shall not,
  39. (iv) Not only marble,
  40. (v) How like a sprinter,
  41. (vi) Let me not,
  42. (vii) Indeed ’tis true,
  43. From Strugnell’s Rubáiyát
  44. Strugnell’s Haiku
  45. Making Cocoa for Kingsley Amis
  46. ACKNOWLEDGEMENTS
  47. About the Author
  48. By the Same Author
  49. Copyright

Making Cocoa for Kingsley Amis

WENDY COPE

alt

To Arthur S. Couch
and everyone else who helped

Contents

Title Page

Dedication

I

Engineers’ Corner,

All-Purpose Poem for State Occasions,

A Policeman’s Lot,

Reading Scheme,

A Nursery Rhyme (as it might have been written by William Wordsworth),

A Nursery Rhyme (as it might have been written by T. S. Eliot),

Waste Land Limericks,

Triolet,

Emily Dickinson,

Proverbial Ballade,

Advertisement,

Lonely Hearts,

On Finding an Old Photograph,

Tich Miller,

At 3 a.m.,

From June to December,

My Lover,

Rondeau Redoublé,

Message,

Giving Up Smoking,

Manifesto,

II

Mr Strugnell,

Budgie Finds His Voice,

Usquebaugh,

The Lavatory Attendant,

E Pericoloso Sporgersi,

Duffa Rex,

Strugnell in Liverpool,

Narrative,

God and The Jolly Bored Bog-Mouse,

From Strugnell’s sonnets

(i) The expense of spirits,

(ii) Not from the stars,

(iii) My glass shall not,

(iv) Not only marble,

(v) How like a sprinter,

(vi) Let me not,

(vii) Indeed ’tis true,

From Strugnell’s Rubáiyát,

Strugnell’s Haiku,

III

Making Cocoa for Kingsley Amis,

Acknowledgement

About the Author

Copyright

I

Engineers’ Corner

Why isn’t there an Engineers’ Corner in Westminster Abbey? In Britain we’ve always made more fuss of a ballad than a blueprint … How many schoolchildren dream of becoming great engineers?

Advertisement placed in The Times by the Engineering Council

We make more fuss of ballads than of blueprints –

That’s why so many poets end up rich,

While engineers scrape by in cheerless garrets.

Who needs a bridge or dam? Who needs a ditch?

Whereas the person who can write a sonnet

Has got it made. It’s always been the way,

For everybody knows that we need poems

And everybody reads them every day.

Yes, life is hard if you choose engineering –

You’re sure to need another job as well;

You’ll have to plan your projects in the evenings

Instead of going out. It must be hell.

While well-heeled poets ride around in Daimlers,

You’ll burn the midnight oil to earn a crust,

With no hope of a statue in the Abbey,

With no hope, even, of a modest bust.

No wonder small boys dream of writing couplets

And spurn the bike, the lorry and the train.

There’s far too much encouragement for poets –

That’s why this country’s going down the drain.

All-Purpose Poem for State Occasions

The nation rejoices or mourns

As this happy or sombre day dawns.

Our eyes will be wet

As we sit round the set,

Neglecting our flowerbeds and lawns.

As Her Majesty rides past the crowd

They’ll be silent or cheer very loud

But whatever they do

It’s undoubtedly true

That they’ll feel patriotic and proud.

In Dundee and Penzance and Ealing

We’re imbued with appropriate feeling:

We’re British and loyal

And love every royal

And tonight we shall drink till we’re reeling.

A Policeman’s Lot

The progress of any writer is marked by those moments when he manages to outwit his own inner police system.