Chapters (70)
- About the Author
- Also by Ruth Hogan
- Title Page
- Imprint Page
- How to use this eBook
- Dedication
- Epigraph
- Contents
- The Promise
- Chapter 1
- Chapter 2
- Chapter 3
- Chapter 4
- Chapter 5
- Chapter 6
- Chapter 7
- Chapter 8
- Chapter 9
- Chapter 10
- Chapter 11
- Chapter 12
- Chapter 13
- Chapter 14
- Chapter 15
- Chapter 16
- Chapter 17
- Chapter 18
- Chapter 19
- Chapter 20
- Chapter 21
- Chapter 22
- Chapter 23
- Chapter 24
- Chapter 25
- Chapter 26
- Chapter 27
- Chapter 28
- Chapter 29
- Chapter 30
- Chapter 31
- Chapter 32
- Chapter 33
- Chapter 34
- Chapter 35
- Chapter 36
- Chapter 37
- Chapter 38
- Chapter 39
- Chapter 40
- Chapter 41
- Chapter 42
- Chapter 43
- Chapter 44
- Chapter 45
- Chapter 46
- Chapter 47
- Chapter 48
- Chapter 49
- Chapter 50
- Chapter 51
- Chapter 52
- Chapter 53
- Chapter 54
- Chapter 55
- Chapter 56
- Chapter 57
- Chapter 58
- A few thoughts and more than a few thanks
- A Word About Our Covers
- Endmatter page 1
When we first published The Keeper of Lost Things in 2017, we created what would become an iconic jacket design. One million copies later, and with Ruth on her fourth book, we thought it was a good opportunity to look at relaunching with a brand new cover approach. It was very important to us that this new vision reflected the marvellously rich world of Ruth Hogan’s stories and her larger-than-life characters. Acting on a recommendation from fellow designer Sara Marafini, our Design Manager for all Ruth’s books, Sarah Christie, approached designer Jordan Bolton whose work in miniature seemed to be the perfect marriage of concept and content. We hope you agree that we have produced beautiful jewel like covers which really complement Ruth’s writing.
– Lisa Highton, Publisher, Two Roads
‘Charming’, ‘uplifting’ and ‘joyful’ was the brief I was given, and Jordan excelled. With painstaking care, he made these book jackets come to life, successfully creating the wonderfully unique experience of starting an adventure with Ruth . . .
– Sarah Christie
I started by making a miniature shop window from foamboard and finding the most evocative objects mentioned in each book. Ruth’s world has a particular vintage aesthetic, which meant recreating many of the items from scratch with moulding clay, which I then painted, or by finding pieces and adapting them to fit our vision. To add a personal touch, some of the items actually belonged to Ruth, such as her pink Doc Martens on Madame Burova. All objects were life-sized and photographed individually. I then printed them off as miniature cardboard versions, placed them in the shop window, and photographed them. Once I uploaded these photographs to my computer, I overlaid the original photo of the objects on top so they would have the detail of the life-size objects and give the final cover the impression of being the size of an actual shop window.
Reading fiction is such a unique experience. More so than any other art form, it asks readers to bring your lives and memories to fill in the blanks, to create that little movie playing in your head as you read. It asks you not only to read but to create. The book you are holding was created by the author, by the publishing company, by the cover designer, and by the manufacturer, but it is not finished until it has been read by you, and the story you read will not be the same as any other.
– Jordan Bolton
Follow Jordan Bolton @jordanboltondesign
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Endmatter page 1
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