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Chapters (70)
  1. About the Author
  2. Also by Ruth Hogan
  3. Title Page
  4. Imprint Page
  5. How to use this eBook
  6. Dedication
  7. Epigraph
  8. Contents
  9. The Promise
  10. Chapter 1
  11. Chapter 2
  12. Chapter 3
  13. Chapter 4
  14. Chapter 5
  15. Chapter 6
  16. Chapter 7
  17. Chapter 8
  18. Chapter 9
  19. Chapter 10
  20. Chapter 11
  21. Chapter 12
  22. Chapter 13
  23. Chapter 14
  24. Chapter 15
  25. Chapter 16
  26. Chapter 17
  27. Chapter 18
  28. Chapter 19
  29. Chapter 20
  30. Chapter 21
  31. Chapter 22
  32. Chapter 23
  33. Chapter 24
  34. Chapter 25
  35. Chapter 26
  36. Chapter 27
  37. Chapter 28
  38. Chapter 29
  39. Chapter 30
  40. Chapter 31
  41. Chapter 32
  42. Chapter 33
  43. Chapter 34
  44. Chapter 35
  45. Chapter 36
  46. Chapter 37
  47. Chapter 38
  48. Chapter 39
  49. Chapter 40
  50. Chapter 41
  51. Chapter 42
  52. Chapter 43
  53. Chapter 44
  54. Chapter 45
  55. Chapter 46
  56. Chapter 47
  57. Chapter 48
  58. Chapter 49
  59. Chapter 50
  60. Chapter 51
  61. Chapter 52
  62. Chapter 53
  63. Chapter 54
  64. Chapter 55
  65. Chapter 56
  66. Chapter 57
  67. Chapter 58
  68. A few thoughts and more than a few thanks
  69. A Word About Our Covers
  70. Endmatter page 1

‘Did you want something?’ Clive had no such qualms about careful wording.

‘I’m sorry?’

‘There are lots of empty tables, but you sat right next to me, which probably means that you wish to talk to me.’

Billie held up her hands. ‘Guilty as charged.’

‘That’s a sort of joke, isn’t it?’ Clive replied without smiling.

Billie tried again. ‘Yes, and yes. Please. I would like to talk to you if that’s okay. Can I get you another cup of tea?’

Clive thought about it. ‘Yes, and yes.’ He paused for a moment. ‘That’s called speech mirroring,’ he added. ‘I did it to make you feel more comfortable. You seem nervous.’

Billie ordered his tea. She admired Clive’s directness. Perhaps, she thought, she should mirror his approach. ‘I wanted to ask you about the woman who left me outside Imelda’s booth.’

‘The woman who is your mother?’

‘Yes.’

‘Why?’

‘Because I’d like to find out who she is. She left some things with Imelda – things that she wanted me to have – but she made Imelda promise not to reveal her identity.’

Clive considered the facts. ‘Your mother doesn’t want you to know who she is. She left you outside Madame Burova’s booth because she didn’t want to keep you. So why do you want to find her?’

It was a good question. ‘Perhaps she couldn’t keep me.’

‘But even if that were true, she still doesn’t want to be found by you, because she told Madame Burova to keep her a secret.’

Entirely uncluttered or complicated by emotions, Clive’s logic was faultless. Why did she want to know? What good would it do? But still, she had to ask.

‘Please, Clive. It’s important to me, even if I can’t really explain why.’

Clive frowned. ‘Four,’ he replied. ‘Four is a safe number. You may ask four questions.’

‘Do you know her name?’

‘One. No.’

‘Had you seen her before?’

‘Two. Yes.’

‘Where?’

‘Three. Twice here, and three times on the promenade.’

‘Did she work at Larkins?’

‘Four. I don’t know.’

Amber brought their drinks and Clive returned to his telephone directory and Billie cursed herself for not considering her questions more carefully. She should have asked what the woman looked like. She sipped her cappuccino and wondered if it would be safe now to return to the booth.

‘I like your hat. Very much.’ Clive had decided to engage her in a brief conversation as a ‘thank you’ for his tea. ‘Charlie Chaplin had one just like it.’

Billie smiled and Clive stared intently at her face. The smile was just for him, a rare gift in his largely solitary life, and he wanted to remember and treasure it. Billie finished her coffee, fastened Mabel’s lead and got up to leave. Clive wanted to give her something in return.