Chapters (23)
Well, now what? The lock was the simple old-fashioned type requiring a skeleton key that probably fit every door up here. I scanned the hall in both directions. I didn't have time to waste. Bader's suite was closest. I did a race-walk to his bedroom and tried the knob. This room was unlocked. I peered around the door. There was a key protruding neatly from the keyhole on the other side. I extracted it and hurried back to Bennet's room. I jammed the key in the lock and tried turning it. I could feel the key hang, but there was some tolerance to the lock. I applied steady pressure while I jiggled the door gently. It took close to thirty seconds, but the key gave way suddenly and I was in.
Chapter 21
Chapter 21
I scanned the room quickly, taking in as much as I could. Two table lamps had been left on. This had to be Bennet's bedroom. He was still in possession of all the paraphernalia from his boyhood hobbies. Model airplanes, model cars, stacks of vintage comic books, early issues of MAD magazine, Little League trophies. He'd framed a paint-by-numbers likeness of Jimmy Durante and a color snapshot of himself at the age of thirteen wearing spiffy black dress pants, a pink dress shirt, and a black bolo tie. His bulletin board was still hanging on the back of his closet door. Tacked to the cork were various newspaper headlines about the assassinations of Martin Luther King, Jr., and Bobby Kennedy. There were photographs of the Apollo 8 spacecraft the day it was launched from Cape Kennedy. A framed movie poster from The Odd Couple still hung above his unmade bed. It wasn't hard to pinpoint the peak year in his life. There was no memorabilia beyond 1968.
I flicked on the overhead light and crossed the room, placing my handbag on the floor near my feet. His desk was built-in and ran along the front wall from one side of the room to the other, punctuated by two windows. Bookshelves had been hung on the wall above the desk. Most of the books looked dated, the titles suggestive of textbooks accumulated over the years. I let my gaze skip across the spines. Ring of Bright Water, Maxwell; No Room in the Ark, Moorehead; Stalking the Edible Life, Gibbons; The Sea Around Us, Carson. Little or no fiction. Not surprising somehow. Bennet didn't strike me as intellectual or imaginative. A personal computer occupied his desk at center stage, complete with an oversized printer. The machine had been shut down and the glassy gray screen of the monitor reflected distorted slices of the light from the hall door. Everything was a jumble; bills, loose papers, invoices, and stacks of unopened mail everywhere. I spotted the typewriter to the left, covered with a black plastic typewriter "cozy" complete with dust. A stack of books had been placed on top.