Back Lucky's Save as PDF
Chapters (35)
  1. About Lucky’s
  2. Title page
  3. Dedication
  4. Epigraph
  5. Chapter 1: 2002
  6. Chapter 2: 2002
  7. Chapter 3: 1945
  8. Chapter 4: 1913–1939
  9. Chapter 5: 2002
  10. Chapter 6: 1945
  11. Chapter 7: 1971
  12. Chapter 8: 2002
  13. Chapter 9: 1945–1946
  14. Chapter 10: 2002
  15. Chapter 11: 1938–1945
  16. Chapter 12: 2002
  17. Chapter 13: 1946
  18. Chapter 14: 1972
  19. Chapter 15: 2002
  20. Chapter 16: 1957
  21. Chapter 17: 1965
  22. Chapter 18: 1971
  23. Chapter 19: 1975
  24. Chapter 20: 2002
  25. Chapter 21: 2002
  26. Chapter 22: 1992
  27. Chapter 23: 2002
  28. Chapter 24: 1994
  29. Chapter 25: 2002
  30. Chapter 26: 2002
  31. Author’s Note
  32. Acknowledgements
  33. Praise for Lucky’s
  34. About the author
  35. Copyright page

Asquith monopolised Valia’s company with minor personal questions, inserting these queries from across the table whenever Benny and his man spoke directly to each other. On several instances Asquith spoke Greek, and what he wanted in these exchanges, Lucky figured, was a special channel of exchange, an intimate connection.

‘My Greek isn’t too good,’ Valia whispered to Lucky.

‘Nor is mine,’ said Benny Goodman.

‘There’s something not quite right about the people at this table,’ she said, again in a low voice. ‘I get that feeling.’

‘What do you mean? And whatever it is, does it worry you?’

‘No, I’ll stay.’

Lucky let the other three talk. Maybe this was something you did if you were a professional artist: you put yourself in the hands of other people. They made something of you. In strange cities you sat down with people you hadn’t met before and hoped it worked out. Lucky tried to understand a public role he would never hold. Why was it touching to him, seeing that gleam of appreciation on Asquith’s face? Would it have meant anything to the real Benny Goodman? That evening he confirmed an old suspicion: Lucky believed the successful person lived a much simpler life.

All the other people in the Collins Hotel, the audience, were leaving. They were saying goodbye to Benny Goodman, offering a word or two and asking for a handshake on their way out.

‘That was real music!’ said one person.

‘Will you come back?’ said another.

‘Next time I’d like to see Benny Goodman with his band.’

Eventually the hotel looked like a depopulated dream. There was the sound of doors being shut upstairs. Gregor and Valia spoke quietly to each other, and Lucky tried to display an attitude of sangfroid, but really he felt alarmed by the idea of never seeing Valia again. Asquith left to find the hotelier, in the hope their small but important party would be permitted to continue. From the bar you could hear booms and shudders in the hotel plumbing. Lucky’s sneeze was so loud it sounded out of character. Valia linked her arm in his, and she and Lucky and the seat all seemed to creak at the same time. The table at their booth was made of marble, patched with cement. In a low voice, Lucky said: ‘It doesn’t feel right to deceive you, or even to try for much longer. I’m not Benny Goodman. But I think you already figured we’re fakes.’

‘Perhaps I didn’t,’ said Valia. Her chin dipped as she smiled; her eyes drifted over the room. ‘Why would you pretend?’

‘To be someone else for a change. To go beyond ourselves. To have fun. Until tonight it hasn’t gone much to plan, though.’

‘I think it’s amusing,’ said Valia. ‘And Mr Asquith believes everything.’

‘My real name is Vasilis.’

‘Then we have the same name. Valia is short for Vasiliki.’