Chapters (53)
- Other Books by This Author
- Title Page
- Copyright
- Prologue
- Chapter 1
- Chapter 2
- Chapter 3
- Chapter 4
- Chapter 5
- Chapter 6
- Chapter 7
- Chapter 8
- Chapter 9
- Chapter 10
- Chapter 11
- Chapter 12
- Chapter 13
- Chapter 14
- Chapter 15
- Chapter 16
- Chapter 17
- Chapter 18
- Chapter 19
- Chapter 20
- Chapter 21
- Chapter 22
- Chapter 23
- Chapter 24
- Chapter 25
- Chapter 26
- Chapter 27
- Chapter 28
- Chapter 29
- Chapter 30
- Chapter 31
- Chapter 32
- Chapter 33
- Chapter 34
- Chapter 35
- Chapter 36
- Chapter 37
- Chapter 38
- Chapter 39
- Chapter 40
- Chapter 41
- Chapter 42
- Chapter 43
- Chapter 44
- Chapter 45
- Exclusive Sneak-Peek
- Author’s Note and Acknowledgments
- About the Author
- Cover
Bobby Dodge is right—killing someone is not something to be thankful for. It’s a necessary evil that costs you a piece of yourself and a connection to humanity you never get back.
But you don’t need to feel sorry for me.
I recently started with a global security firm, making more money while working better hours. My boss read my story in the paper and called me with the job offer. He believes I have one of the finest strategic minds he’s ever encountered, with an uncanny ability to foresee obstacles and anticipate next steps. There’s a demand for those kinds of skills, especially in this day and age; I’ve already been promoted twice.
Now I drop off Sophie at school each morning. I go to work. Mrs. Ennis picks Sophie up at three. I join them at six. We eat dinner together, then I take Sophie home.
She and I tend the apartment, do homework. Then, at nine, we go to bed. We share a room. Neither of us sleeps much, and even three months later, we’re still not ready for the dark.
Mostly, we snuggle together, Gertrude nestled between us.
Sophie likes to rest with her head on my shoulder, her fingers splayed in the palm of my hand.
“Love you, Mommy,” she tells me each and every night.
And I say, my cheek pressed against the top of her dark hair: “Love you more, baby. I love you more.”
Looking for more D.D. Warren?
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Turn the page for an exclusive sneak peek of the script from
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Premiering Sunday, April 3 at 9/8c . Only on AMC.
Exclusive Sneak-Peek
“THE KILLING”
FADE IN:
EXT. GOLDEN GARDENS PARK - WOODS - DAY
Near dawn, sky threatening rain. CAMERA TRACKS behind a lone WOMAN running along a wooded trail and over a bridge over railroad tracks. Breathing hard, pushing herself to the limit, sweatshirt soaked through. At first you wonder if she’s a young girl with her ponytail, small frame, and then you see her eyes — wounded, haunted — and realize she isn’t. Meet Homicide Detective SARAH LINDEN — 37, lone wolf type, solo distance runner, pretty without trying, her smiles rare, her intense eyes strange, unblinking.
SFX: Train HORN. SMASH CUT TO —
EXT. DISCOVERY PARK - FIELD - NIGHT
A screaming young GIRL runs through the tall grass — away from someone — their flashlight cutting the darkness.
EXT. GOLDEN GARDENS PARK - WOODS - DAY
Sarah continues to jog down the trail.
EXT. DISCOVERY PARK - WOODS - NIGHT
Tree limbs, like long fingers, reach down towards the young girl — 17, sweet-faced, child-woman’s body — running hard, clothing torn, hair soaked with sweat. With blood. This is ROSIE LARSEN and she is running for her life.
Crashing through the brush behind her, an UNSEEN ASSAILANT closes in, FLASHLIGHT cutting through the woods.
EXT. GOLDEN GARDENS PARK - WOODS - DAY