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Chapters (85)
  1. BOOKS BY LOUISE BAY
  2. ONE
  3. Rosey
  4. TWO
  5. Byron
  6. THREE
  7. Rosey
  8. FOUR
  9. Byron
  10. FIVE
  11. Rosey
  12. SIX
  13. Byron
  14. SEVEN
  15. Rosey
  16. EIGHT
  17. Rosey
  18. NINE
  19. Byron
  20. TEN
  21. Rosey
  22. ELEVEN
  23. Byron
  24. TWELVE
  25. Rosey
  26. THIRTEEN
  27. Byron
  28. FOURTEEN
  29. Rosey
  30. FIFTEEN
  31. Rosey
  32. SIXTEEN
  33. Byron
  34. SEVENTEEN
  35. Rosey
  36. EIGHTEEN
  37. Byron
  38. NINETEEN
  39. Rosey
  40. TWENTY
  41. Rosey
  42. TWENTY-ONE
  43. Byron
  44. TWENTY-TWO
  45. Byron
  46. TWENTY-THREE
  47. Rosey
  48. TWENTY-FOUR
  49. Rosey
  50. TWENTY-FIVE
  51. Byron
  52. TWENTY-SIX
  53. Rosey
  54. TWENTY-SEVEN
  55. Byron
  56. TWENTY-EIGHT
  57. Rosey
  58. TWENTY-NINE
  59. Byron
  60. THIRTY
  61. Rosey
  62. THIRTY-ONE
  63. Rosey
  64. THIRTY-TWO
  65. Byron
  66. THIRTY-THREE
  67. Rosey
  68. THIRTY-FOUR
  69. Rosey
  70. THIRTY-FIVE
  71. Byron
  72. THIRTY-SIX
  73. Rosey
  74. THIRTY-SEVEN
  75. Byron
  76. THIRTY-EIGHT
  77. Byron
  78. EPILOGUE
  79. A month later – New York City
  80. 14 months later - Star Falls
  81. MR. MAYFAIR
  82. Beck
  83. Beck
  84. Stella
  85. BOOKS BY LOUISE BAY

I hadn’t really thought about what Juney’s art might look like. I guess I’m expecting intricate paintings of birds and bears and deer—local wildlife landscapes, that kind of thing. I get a sinking feeling. I should not have come to Grizzly’s tonight. I should go back to avoiding town and Star Falls residents in general. It just gets me into trouble. The last time I was here, I ended up with a neighbor. Now, I have to buy art I don’t want and can never display.

“I don’t necessarily understand it,” Rosey says. “I’m not an art person. But this looks… fresh. She’s had some exhibitions in Denver and Aspen.”

She pushes the phone into my hand and I take a look. There’s not a detailed wildlife painting in sight. Instead, there are huge abstract canvasses. I glance at Rosey, whose gaze is fixed on my phone. Her lips are mere inches from mine, and I can’t do a damn thing about it.

“I think some of these would look amazing in the chalets. In the main building as well, though I’m not sure you have room for them.”

“I’ll send the site to Rosalind and see what she thinks.”

“Rosalind?” Rosey asks.

“The designer. She’s in charge of all the interior decoration.”

“Tell her it’s a local artist. I think they’re beautiful.” Rosey’s cheeks are flushed with the heat of Grizzly’s and her enthusiasm for Juney’s paintings. She’s beautiful all the time, but lit up like this, she’s radiant. Maybe I should buy her a painting.

“You came!” someone screeches from behind us. Donna appears and grabs Rosey by the hand like they’re long-lost sisters.

“Did you complete your investigations?” Rosey asks. She’s clearly intrigued.

She grabs my elbow and stands close, pulling the three of us into a circle. “I knocked on the doors,” she whispers. I’m not sure if she’s drunk or just overinvested. “No freaking answer. It was six thirty. If it was a tourist, there’s no way they wouldn’t be in their RV at six freaking thirty.”

She looks between us like she’s a trial lawyer who’s just presented a smoking gun.

“So you think it’s the government?” Rosey asks, her eyes wide.

Donna lifts up her palms. “What else could it be?”

I’m about to give her at least a dozen possible explanations that don’t involve federal agencies, when suddenly the door to Grizzly’s crashes open and three very unexpected faces appear.

TWENTY-TWO

Byron

I slide my beer onto the bar and try to focus on the three men who’ve just come through the door. I glance back at my drink. How many have I had? Is it enough to start hallucinating?

“You know those guys?” Rosey asks.