Back Look Both Ways
Chapters (57)
  1. Cover
  2. Dedication
  3. Foreword
  4. Prologue
  5. One
  6. Two
  7. Three
  8. Four
  9. Five
  10. Six
  11. Seven
  12. Eight
  13. Nine
  14. Ten
  15. Eleven
  16. Twelve
  17. Thirteen
  18. Fourteen
  19. Fifteen
  20. Sixteen
  21. Seventeen
  22. Eighteen
  23. Nineteen
  24. Twenty
  25. Twenty-One
  26. Twenty-Two
  27. Twenty-Three
  28. Twenty-Four
  29. Twenty-Five
  30. Twenty-Six
  31. Twenty-Seven
  32. Twenty-Eight
  33. Twenty-Nine
  34. Thirty
  35. Thirty-One
  36. Thirty-Two
  37. Thirty-Three
  38. Thirty-Four
  39. Thirty-Five
  40. Thirty-Six
  41. Thirty-Seven
  42. Thirty-Eight
  43. Thirty-Nine
  44. Forty
  45. Forty-One
  46. Forty-Two
  47. Forty-Three
  48. Forty-Four
  49. Forty-Five
  50. Forty-Six
  51. Forty-Seven
  52. Forty-Eight
  53. Forty-Nine
  54. Fifty
  55. Praise for Linwood Barclay
  56. Also by Linwood Barclay
  57. About the Publisher

The firefighter and the paramedic exchanged a few words, nodded, and then started walking toward the phalanx of cars.

The firefighter started yelling at them. Kyle could make out what he was saying.

“Move the fuck out of the way!” he shouted. “Let’s go! Fuckin’ move or we’ll knock you out of the way!”

Although it looked incredibly silly, there was really nothing silly about it. The cars were designed, of course, to respond to verbal commands. They could hear, they could see, and they could recognize. They knew what a fire truck was. They knew what an ambulance was. And based on what they heard and saw and recognized, they could evaluate. And once they evaluated something, they could decide how to respond.

All within a millionth of a second.

So there was every reason to believe that the Arrivals blocking access to the community center saw these emergency works and even understood what was being asked of them. (Arrivals, and the Gandalfs that Kyle had developed, were also proficient at understanding profanity, as well as an upraised middle finger.)

Even though every Arrival was programmed to recognize only its owner’s voice commands—a feature designed to deter theft—they were also designed to obey instructions from police, firefighters, and the like.

So they should have moved.

Brandon Kyle, however, was not expecting them to.

It was a dandy little virus he’d sent into the network.

Kyle thought of it as a “bizarro” program, the inspiration coming from the Superman comics he read as a kid, and the strange planet known as Bizarro World where everything was an opposite. For starters, the planet was a cube instead of a sphere. In Bizarro World, good was bad and bad was good and up was down and down was up.

Arrival programming was all about safety. Human safety, in particular.

Do. No. Harm. A kind of automotive version of a doctor’s Hippocratic oath. It was encoded into every aspect of an Arrival’s programming.

In some ways, what Kyle had done was quite simple.

He’d eliminated the No.

This was why Brandon Kyle did not expect the Arrivals to move out of the way and allow the fire engine and the ambulance to reach the scene where Lisa Carver, it was very likely, had already bled to death. Blocking their path encouraged harm.

But even Kyle was taken aback by what the Arrivals decided to do.

They attacked.

The powder-blue Arrival in the center position—there were seven to the left of it and seven to the right—suddenly shot forward, aiming for both men. They reacted immediately, each diving in opposite directions. The blue Arrival opted to go after the firefighter, who had bolted to the right, and was now making a beeline back to the fire engine, presumably hoping to grab on to one of the handles on the side and hoist himself up and out of the way.