Back Locked Rooms
Chapters (39)
  1. Cover Page
  2. Dedication
  3. Editor's Preface
  4. Prologue
  5. Book One
  6. Chapter One
  7. Chapter Two
  8. Chapter Three
  9. Chapter Four
  10. Chapter Five
  11. Chapter Six
  12. Chapter Seven
  13. Chapter Eight
  14. Chapter Nine
  15. Book Two
  16. Chapter Ten
  17. Chapter Eleven
  18. Chapter Twelve
  19. Chapter Thirteen
  20. Chapter Fourteen
  21. Chapter Fifteen
  22. Chapter Sixteen
  23. Book Three
  24. Chapter Seventeen
  25. Chapter Eighteen
  26. Chapter Nineteen
  27. Chapter Twenty
  28. Book Four
  29. Chapter Twenty-one
  30. Chapter Twenty-two
  31. Chapter Twenty-three
  32. Book Five
  33. Chapter Twenty-four
  34. Chapter Twenty-five
  35. Epilogue
  36. Afterword
  37. About the Author
  38. Also by Laurie R. King
  39. Copyright Page

“I think it was dropped,” Donny answered. “Yes, there was some hokum about the man having the doctor killed, but wouldn't he have knocked off the girl instead?”

“Wonder what happened to her?”

“She went back to work. Used to be one of the dancers at the Tiger, in fact.”

“The Blue Tiger, where we were Friday? Is she still there?”

“She wouldn't be, no—she'd be too old even for the chorus now.”

“Billy's no spring chicken,” Flo commented, in what sounded like an objection.

Billy? I thought, then: Ah. Belinda Birdsong, the saucy chanteuse.

Donny gave a snort, and said, “Billy was old when he was in short pants.”

Hmm. Another Billy, then. Unless this was another of the slang turns my American contemporaries used, where a girl was “old man” and a man “young thing.”

Flo giggled. “Don't be absurd, Donny. Billy never wore short pants; he was born in a skirt.”

“Wait a minute,” I broke in. “Are you saying that Belinda Birdsong is a man?”

My two companions flew into gales of laughter, making me realise that I'd sounded like someone too ancient, or too naïve, to have imagined such a thing as a man acting as a woman. “No, honestly,” I protested, “I've seen men impersonating women before, but a person can usually tell. Are you sure?”

This set them off again, into the sort of choking noises that can only come from a risqué joke. “Oh, yes,” Donny got out at last. “No mistake.”

“Do you care to tell me why?”

The cool edge to my question reminded him of his manners. “Sorry,” he said. “Didn't mean to . . . That is to say, yes, I'm sure Belinda's a man, 'cause I saw his, er, fittings one evening. I was walking by his dressing-room when someone threw open the door at a . . . revealing moment.”

“I see.”

“As did I. Gave me quite a trauma, I tell you, seeing the, er, lengths the boy would go to to conceal—” A slapping noise came out of the darkness as Flo chastised him, and I made haste to move the subject on a step.

“I'm impressed. Their throat usually gives them away, the Adam's apple, you know, and a degree of exaggeration in their manners. He's very natural.”

“They all are.”

“What, you mean the others on the stage were all men, as well?”

“Not the chorus line, but the three other singers, yes.”

I'd never even suspected it. Alcohol, of course, was partly to blame for my lack of perception, and the room's thick, smokey air, but on reflection, I decided that the reason I had failed to notice was that, in England, such acts as I had seen were generally in small and seedy cabarets, not in a glittering palace the size of a warehouse with a big, slick jazz band to accompany its internationally known singer.