Locked Rooms
Chapters (39)
- Cover Page
- Dedication
- Editor's Preface
- Prologue
- Book One
- Chapter One
- Chapter Two
- Chapter Three
- Chapter Four
- Chapter Five
- Chapter Six
- Chapter Seven
- Chapter Eight
- Chapter Nine
- Book Two
- Chapter Ten
- Chapter Eleven
- Chapter Twelve
- Chapter Thirteen
- Chapter Fourteen
- Chapter Fifteen
- Chapter Sixteen
- Book Three
- Chapter Seventeen
- Chapter Eighteen
- Chapter Nineteen
- Chapter Twenty
- Book Four
- Chapter Twenty-one
- Chapter Twenty-two
- Chapter Twenty-three
- Book Five
- Chapter Twenty-four
- Chapter Twenty-five
- Epilogue
- Afterword
- About the Author
- Also by Laurie R. King
- Copyright Page
Cover Page
Contents
Cover Page
Title Page
Dedication
Editor's Preface
Prologue
Book One
Chapter One
Chapter Two
Chapter Three
Chapter Four
Chapter Five
Chapter Six
Chapter Seven
Chapter Eight
Chapter Nine
Book Two
Chapter Ten
Chapter Eleven
Chapter Twelve
Chapter Thirteen
Chapter Fourteen
Chapter Fifteen
Chapter Sixteen
Book Three
Chapter Seventeen
Chapter Eighteen
Chapter Nineteen
Chapter Twenty
Book Four
Chapter Twenty-one
Chapter Twenty-two
Chapter Twenty-three
Book Five
Chapter Twenty-four
Chapter Twenty-five
Epilogue
Afterword
About the Author
Also by Laurie R. King
Copyright Page
Dedication
To the ’06 survivors, especially
Robert John Dickson and Florence Frances Adderley,
“Dick” and “Flossie—”
my grandparents
Editor's Preface
Editor's Preface
This is the eighth chapter in the continuing memoirs of Mary Russell, based on a set of manuscripts I received in the early 1990s.* Some of the manuscripts were neatly collated and tied by ribbons; others, comprising as they did varied sizes and qualities of paper, required considerable work to decipher. Still others were mere fragments apparently unrelated to larger bodies of the work, and thus, for lack of a better approach, are best published as short stories.
The following episode in the memoirs looked, at first glance, like a collection of those fragments, but on closer examination I realized that they combined two separate narratives which had been either clumsily filed together, twenty pages here and fifty there, or else roughly interleaved, matching up the chronological progress of both story lines. One document was handwritten in Miss Russell's distinctive script; the other was a typewritten, third-person narrative following the actions of her partner/husband. Certain instances of grammar and punctuation would seem to indicate that the writer (or, typist) was Russell herself, but whether she is transcribing a story given her, or creating a more or less speculative document based on learned material, is anyone's guess. Personally, having had some time to consider the matter, I venture to say that she put together those chapters of her story based on at least two separate accounts, and found that typing them instead of using her customary handwriting provided her a necessary psychological distance from the tale, as did the shift from the personal voice to one of an objective narrator.
But as I say, it's anyone's guess.
I have preserved Miss Russell's third-person material as it appears in the original, although attempting to duplicate her crude day-by-day interleaving of the two viewpoints made me a bit dizzy. Instead, I have allowed the material to accumulate, following several days' story before resuming the alternative account.
Laurie R. King
Freedom, California
Prologue
Prologue
The dreams began when we left Bombay.
Three dreams, over and over, rode the ship with me as we churned south around Cape Comorin and up India's eastern coast, lending their peculiar chill to the steamy nights. Three companions, at my back all the way around the coastline of Asia and across the mis-named Pacific to California.
In the first dream, objects flew.