Chapters (61)
- Cover
- Title Page
- Contents
- Prologue
- Part 1 - Thursday
- Chapter One
- Chapter Two
- Chapter Three
- Chapter Four
- Chapter Five
- Chapter Six
- Part 2 - Friday
- Chapter Seven
- Chapter Eight
- Chapter Nine
- Chapter Ten
- Chapter Eleven
- Chapter Twelve
- Chapter Thirteen
- Part 3 - Saturday
- Chapter Fourteen
- Chapter Fifteen
- Chapter Sixteen
- Chapter Seventeen
- Chapter Eighteen
- Chapter Nineteen
- Chapter Twenty
- Chapter Twenty-One
- Chapter Twenty-Two
- Chapter Twenty-Three
- Chapter Twenty-Four
- Part 4 - Sunday
- Chapter Twenty-Five
- Chapter Twenty-Six
- Chapter Twenty-Seven
- Chapter Twenty-Eight
- Chapter Twenty-Nine
- Chapter Thirty
- Chapter Thirty-One
- Chapter Thirty-Two
- Chapter Thirty-Three
- Chapter Thirty-Four
- Part 5 - Monday
- Chapter Thirty-Five
- Chapter Thirty-Six
- Chapter Thirty-Seven
- Chapter Thirty-Eight
- Chapter Thirty-Nine
- Chapter Forty
- Chapter Forty-One
- Chapter Forty-Two
- Chapter Forty-Three
- Chapter Forty-Four
- Chapter Forty-Five
- Epilogue
- Author’s Note and Acknowledgments
- Lisa Gardner on D.D. Warren
- Excerpt from Love You More
- Get an exclusive peek at the script for AMC’s addictive new series, The Killing. Premiering Sunday, April 3 at 9/8c. Only on AMC.
- About the Author
- Copyright
You can hand it off end of shift. Six o’clock. Go on do your job. Take him. Show him how to work a scene.
HOLDER
(quietly)
I know how to work a scene…
Reluctantly, Sarah grabs her coat and a box–
SARAH
Grab a box. We’ll take my car.
HOLDER
Alright.
SARAH
(indicating a nearby box)
Over there.
As Sarah and Holder exit, boxes in tow, Holder shuts the door with his foot.
EXT. DOWNTOWN SEATTLE - AERIAL SHOT - DAY
Transition.
INT/EXT. SARAH’S CAR - DAY
Sarah drives, Holder yaks. Wipers flipping across the rain-soaked windshield. Squat factories – abandoned, graffii-marred – slide past their windows.
HOLDER
… They tapped me out of the Academy like first year, boom straight to
(MORE)
HOLDER (CONT’D)
undercover. So I was working vice, narco. I don’t know, I guess narco kinda stuck to me, so…
SARAH
(no shit)
You? A UC? I never woulda guessed.
Holder shoots her an amused look.
HOLDER
Whatever. It’s mostly like street level buys and busts, you know, Joaquim shooting Rakim, blah blah blah.
SARAH
You think Homicide’s gonna be any different?
HOLDER
Least you got a bad guy.
SARAH
Yeah? Who’s that?
Holder looks at her, waiting for more. No luck. They stop at a light.
On the sidewalk, a TEEN RUNAWAY – 16, male, filthy dreads, kindly face – slouches numbly against a monstrous duffel bag. Rain drizzling down.
Holder presses two fingers against the glass: “Peace”. The Teen Runaway lazily sticks up his middle finger: “Fuck you”.
Holder grins, gives him the finger back. As they pull away–
HOLDER
Is that why you running away, Linden? Cuz you don’t know no more?
She doesn’t even look at him. Off which–
EXT. SEATTLE - AERIAL SHOT FROM A DISTANCE - DAY
Transition.
EXT. DISCOVERY PARK - FIELD - DAY
Sarah drives down the fire road, pulling up to the scene. A scattering of UNIFORMS in a desolate field, woods in the near distance, lonely fire road. Rain abated for now.
Exiting their car, Sarah and Holder make there way to the scene and are approached by a young, UNIFORM in charge–
UNIFORM
Detective Linden…
SARAH
Where’s the body?
UNIFORM
Still lookin’. School kids on a field trip this mornin’ found this.
He hands a clear Evidence BAG to Sarah – inside a shimmery pink SWEATER. Torn, blood-smeared.
HOLDER
This park’s like Tweaker Central at nights. Ho-bags bringin’ their tricks down. Could be some basehead–
SARAH
(hands the evidence bag back to the Uni)
The owner’s not an addict. At least not the kind who hangs around here.
(off Holder’s look)
It’s a wool sweater. Looks recently cleaned.
HOLDER
Brought it to the coin wash, so what.
SARAH
You dry clean wool? Do you know any tweakers who drop their wardrobe off at the cleaners?
(to uniform) Anything else?
UNIFORM
This. ATM card.