Chapters (61)
- Cover
- Title Page
- Contents
- Prologue
- Part 1 - Thursday
- Chapter One
- Chapter Two
- Chapter Three
- Chapter Four
- Chapter Five
- Chapter Six
- Part 2 - Friday
- Chapter Seven
- Chapter Eight
- Chapter Nine
- Chapter Ten
- Chapter Eleven
- Chapter Twelve
- Chapter Thirteen
- Part 3 - Saturday
- Chapter Fourteen
- Chapter Fifteen
- Chapter Sixteen
- Chapter Seventeen
- Chapter Eighteen
- Chapter Nineteen
- Chapter Twenty
- Chapter Twenty-One
- Chapter Twenty-Two
- Chapter Twenty-Three
- Chapter Twenty-Four
- Part 4 - Sunday
- Chapter Twenty-Five
- Chapter Twenty-Six
- Chapter Twenty-Seven
- Chapter Twenty-Eight
- Chapter Twenty-Nine
- Chapter Thirty
- Chapter Thirty-One
- Chapter Thirty-Two
- Chapter Thirty-Three
- Chapter Thirty-Four
- Part 5 - Monday
- Chapter Thirty-Five
- Chapter Thirty-Six
- Chapter Thirty-Seven
- Chapter Thirty-Eight
- Chapter Thirty-Nine
- Chapter Forty
- Chapter Forty-One
- Chapter Forty-Two
- Chapter Forty-Three
- Chapter Forty-Four
- Chapter Forty-Five
- Epilogue
- Author’s Note and Acknowledgments
- Lisa Gardner on D.D. Warren
- Excerpt from Love You More
- Get an exclusive peek at the script for AMC’s addictive new series, The Killing. Premiering Sunday, April 3 at 9/8c. Only on AMC.
- About the Author
- Copyright
A Lookie Loo – male, pierced - catches Sarah’s eye. She holds his baleful stare.
Sarah ducks under the crime scene TAPE, met by a SARGEANT –40s, grizzled, ex-boxer’s battered face—
SARGEANT (CONT’D)
Sarah, sorry ‘bout this. Lieutenant said you were on call so–
SARAH
Where’s the body?
SARGEANT
Conveyor shed. Homeless guy found her coupla hours ago. Jane Doe… No ID, wallet. Coroner’s en route. You’re the first one here.
(beat)
You gotta go up the stairs, follow the ramp, you’ll find her. You want me to walk ya through?
SARAH
No. I’m good. Thanks.
They stop in front a steel door. Sargeant opens it revealing a dark hallway, stairs– He gives her BAGGIES and a FLASHLIGHT over–
SARGEANT
You’re outta here, what? Friday?
SARAH
Nope. Today.
With a smile, she enters…
INT. FACTORY - CONTINUOUS
… Heads up the stairs. Suddenly, the steel door slams shut, plunging her into darkness. It’d be easy to turn back but that’s not Sarah’s style. Instead, she turns on her flashlight – flickery, iffy.
Ahead of her, a ramp tilting up into blackness. Trash, graffiti everywhere. Rain pelts the tin roof, pigeons coo. She’s used to silent, secret places like this. Forges on.
Her light catches a dark SMEAR on one wall. Blood. Below it, a pile of trash. Baggie in hand, Sarah sifts through. Pulls out a sharp deboning KNIFE. Bags it.
Trains her flashlight on a faint trail of BLOOD. Leading to the top of the conveyor shaft, a room. Something in there…
INT. FACTORY - BACK ROOM - CONTINUOUS
A large OBJECT, like a side of beef encased in plastic, hangs from a hook. Sarah slowly reaches up, rips it off–
LIGHTS snap on, revealing a group of middle-aged male DETECTIVES in PARTY HATS, clutching a CHAMPAGNE BOTTLE,
Laughing at what’s hanging on the hook: a BLOW UP DOLL. Red mouth around a fake SPLIFF, San Francisco baseball CAP on its head, written across its torso: “BON VOYAGE SARAH”.
OAKES
(singing)
Hey, hey… For she’s a jolly good fellow! For she’s a jolly good…
SINGING DETECTIVE
For she’s a jolly good fellow…!
They warble off key, the others clapping, hooting, blowing noise makers. They tease Sarah.
OAKES
Get her a glass…
Sarah laughing now, much loved, overwhelmed by it all…
EXT. ESTABLISHING AERIAL SHOT - CHINNTENDEN LOCKS - DAY
The waterway connecting Lake Union with the vast Puget Sound. Through the RAIN–
INT. SARAH’S CONDO - DAY
Sarah enters, BLOW UP DOLL under arm, rain coat sopping. Takes in the sterile, empty condo. Packing boxes everywhere.
SARAH
Rick? Are you still here…? Rick…?
As she moves through the barren rooms CAMERA FOLLOWS. Someone watching, closing in…
SARAH (CONT’D)
Rick…?
Suddenly, Sarah spins around–
SARAH (CONT’D)
Boo.
Getting the drop on RICK FELDER – salt-and-pepper sexy, established man’s confidence mixed with a former bad boy’s heat–
RICK
I so had you…
SARAH