Back Live to Tell
Chapters (61)
  1. Cover
  2. Title Page
  3. Contents
  4. Prologue
  5. Part 1 - Thursday
  6. Chapter One
  7. Chapter Two
  8. Chapter Three
  9. Chapter Four
  10. Chapter Five
  11. Chapter Six
  12. Part 2 - Friday
  13. Chapter Seven
  14. Chapter Eight
  15. Chapter Nine
  16. Chapter Ten
  17. Chapter Eleven
  18. Chapter Twelve
  19. Chapter Thirteen
  20. Part 3 - Saturday
  21. Chapter Fourteen
  22. Chapter Fifteen
  23. Chapter Sixteen
  24. Chapter Seventeen
  25. Chapter Eighteen
  26. Chapter Nineteen
  27. Chapter Twenty
  28. Chapter Twenty-One
  29. Chapter Twenty-Two
  30. Chapter Twenty-Three
  31. Chapter Twenty-Four
  32. Part 4 - Sunday
  33. Chapter Twenty-Five
  34. Chapter Twenty-Six
  35. Chapter Twenty-Seven
  36. Chapter Twenty-Eight
  37. Chapter Twenty-Nine
  38. Chapter Thirty
  39. Chapter Thirty-One
  40. Chapter Thirty-Two
  41. Chapter Thirty-Three
  42. Chapter Thirty-Four
  43. Part 5 - Monday
  44. Chapter Thirty-Five
  45. Chapter Thirty-Six
  46. Chapter Thirty-Seven
  47. Chapter Thirty-Eight
  48. Chapter Thirty-Nine
  49. Chapter Forty
  50. Chapter Forty-One
  51. Chapter Forty-Two
  52. Chapter Forty-Three
  53. Chapter Forty-Four
  54. Chapter Forty-Five
  55. Epilogue
  56. Author’s Note and Acknowledgments
  57. Lisa Gardner on D.D. Warren
  58. Excerpt from Love You More
  59. Get an exclusive peek at the script for AMC’s addictive new series, The Killing. Premiering Sunday, April 3 at 9/8c. Only on AMC.
  60. About the Author
  61. Copyright

A Lookie Loo – male, pierced - catches Sarah’s eye. She holds his baleful stare.

Sarah ducks under the crime scene TAPE, met by a SARGEANT –40s, grizzled, ex-boxer’s battered face—

SARGEANT (CONT’D)

Sarah, sorry ‘bout this. Lieutenant said you were on call so–

SARAH

Where’s the body?

SARGEANT

Conveyor shed. Homeless guy found her coupla hours ago. Jane Doe… No ID, wallet. Coroner’s en route. You’re the first one here.
     (beat)
You gotta go up the stairs, follow the ramp, you’ll find her. You want me to walk ya through?

SARAH

No. I’m good. Thanks.

They stop in front a steel door. Sargeant opens it revealing a dark hallway, stairs– He gives her BAGGIES and a FLASHLIGHT over–

SARGEANT

You’re outta here, what? Friday?

SARAH

Nope. Today.

With a smile, she enters…

INT. FACTORY - CONTINUOUS

… Heads up the stairs. Suddenly, the steel door slams shut, plunging her into darkness. It’d be easy to turn back but that’s not Sarah’s style. Instead, she turns on her flashlight – flickery, iffy.

Ahead of her, a ramp tilting up into blackness. Trash, graffiti everywhere. Rain pelts the tin roof, pigeons coo. She’s used to silent, secret places like this. Forges on.

Her light catches a dark SMEAR on one wall. Blood. Below it, a pile of trash. Baggie in hand, Sarah sifts through. Pulls out a sharp deboning KNIFE. Bags it.

Trains her flashlight on a faint trail of BLOOD. Leading to the top of the conveyor shaft, a room. Something in there…

INT. FACTORY - BACK ROOM - CONTINUOUS

A large OBJECT, like a side of beef encased in plastic, hangs from a hook. Sarah slowly reaches up, rips it off–

LIGHTS snap on, revealing a group of middle-aged male DETECTIVES in PARTY HATS, clutching a CHAMPAGNE BOTTLE,

Laughing at what’s hanging on the hook: a BLOW UP DOLL. Red mouth around a fake SPLIFF, San Francisco baseball CAP on its head, written across its torso: “BON VOYAGE SARAH”.

OAKES

(singing)

Hey, hey… For she’s a jolly good fellow! For she’s a jolly good…

SINGING DETECTIVE

For she’s a jolly good fellow…!

They warble off key, the others clapping, hooting, blowing noise makers. They tease Sarah.

OAKES

Get her a glass…

Sarah laughing now, much loved, overwhelmed by it all…

EXT. ESTABLISHING AERIAL SHOT - CHINNTENDEN LOCKS - DAY

The waterway connecting Lake Union with the vast Puget Sound. Through the RAIN–

INT. SARAH’S CONDO - DAY

Sarah enters, BLOW UP DOLL under arm, rain coat sopping. Takes in the sterile, empty condo. Packing boxes everywhere.

SARAH

Rick? Are you still here…? Rick…?

As she moves through the barren rooms CAMERA FOLLOWS. Someone watching, closing in…

SARAH (CONT’D)

Rick…?

Suddenly, Sarah spins around–

SARAH (CONT’D)

Boo.

Getting the drop on RICK FELDER – salt-and-pepper sexy, established man’s confidence mixed with a former bad boy’s heat–

RICK

I so had you…

SARAH