Back Limelight
Chapters (49)
  1. Cover
  2. Table of Contents
  3. Also by Graham Hurley
  4. LIMELIGHT
  5. Copyright
  6. Dedication
  7. Epigraph
  8. ONE
  9. TWO
  10. THREE
  11. FOUR
  12. FIVE
  13. SIX
  14. SEVEN
  15. EIGHT
  16. NINE
  17. TEN
  18. ELEVEN
  19. TWELVE
  20. THIRTEEN
  21. FOURTEEN
  22. FIFTEEN
  23. SIXTEEN
  24. SEVENTEEN
  25. EIGHTEEN
  26. NINETEEN
  27. TWENTY
  28. TWENTY-ONE
  29. TWENTY-TWO
  30. TWENTY-THREE
  31. TWENTY-FOUR
  32. TWENTY-FIVE
  33. TWENTY-SIX
  34. TWENTY-SEVEN
  35. TWENTY-EIGHT
  36. TWENTY-NINE
  37. THIRTY
  38. THIRTY-ONE
  39. THIRTY-TWO
  40. THIRTY-THREE
  41. THIRTY-FOUR
  42. THIRTY-FIVE
  43. THIRTY-SIX
  44. THIRTY-SEVEN
  45. THIRTY-EIGHT
  46. THIRTY-NINE
  47. FORTY
  48. FORTY-ONE
  49. AFTERWARDS

‘Maybe just a glass before I go?’

‘Why? What would be the point? You want to know what happened? I’ll tell you what happened. They banged me up for session after session. They wanted to know everything about the pair of us, the way we’d been together, what had taken us to Africa, to Portugal, what had brought us back here. They’re convinced we’d crashed and burned. They were like a pair of pervs, sniffing around, sniffing at our lives. They’re convinced I’d been beating her up, threatening her, robbing her blind, making her life a misery. They think all the business on the beach was some kind of set-up. They think it was me who put the clothes there when all the time she was back here, brown bread, while little me dreamed up ways of getting rid of her.’

‘Brown bread?’

‘Dead. The phrase they’re using is crime scene. Here. Where we stand. Crime scene. Can you believe that?’

There’s a long silence. Dimly, from next door, I think I catch the roar of a crowd from Evelyn’s TV but I’m not sure.

‘So, what did you tell them?’ I manage at last.

‘Nothing. I told them fuck all. In the end they had to let me go. And you know why? Because fuck all means fuck all. And that’s all they’ve got.’

I nod. I have something to say, something important, but I’m not at all sure how to put it.

‘There might have been an easier way,’ I suggest.

‘Like what?’

‘Like you could have told them what really happened.’

‘What?’

McFaul is staring at me. I’m about to re-phrase what I’ve just said when he puts a finger to his lips and gestures wildly round. Moments later, he has me by the arm and we’re heading for the front door. Outside, the rain has stopped and it’s much colder.

‘That’s your car?’ He’s nodding at my ancient Peugeot.

‘Yes.’

‘You’ve got a key?’

‘Yes.’

The key is in my jeans pocket. Within seconds, we’re sitting together in the front.

‘What’s this about?’ I’m feeling the first prickles of what might be apprehension. ‘You want me to drive you somewhere?’

‘Not at all. They’ll have bugged the house. It’s what they do. Microphones. Transmitting gear. Tune in and help yourself. It never fucking fails. Park up down the road there, go round the corner. They may be watching the place, too.’

I hold his gaze for a moment, and then shrug. Paranoia, I think. We’ve gone about a quarter of a mile, down towards the town centre, when he points to an area of semi-darkness between two streetlamps.

‘There,’ he says. ‘But keep the engine on.’

‘Why?’