Back Limelight
Chapters (49)
  1. Cover
  2. Table of Contents
  3. Also by Graham Hurley
  4. LIMELIGHT
  5. Copyright
  6. Dedication
  7. Epigraph
  8. ONE
  9. TWO
  10. THREE
  11. FOUR
  12. FIVE
  13. SIX
  14. SEVEN
  15. EIGHT
  16. NINE
  17. TEN
  18. ELEVEN
  19. TWELVE
  20. THIRTEEN
  21. FOURTEEN
  22. FIFTEEN
  23. SIXTEEN
  24. SEVENTEEN
  25. EIGHTEEN
  26. NINETEEN
  27. TWENTY
  28. TWENTY-ONE
  29. TWENTY-TWO
  30. TWENTY-THREE
  31. TWENTY-FOUR
  32. TWENTY-FIVE
  33. TWENTY-SIX
  34. TWENTY-SEVEN
  35. TWENTY-EIGHT
  36. TWENTY-NINE
  37. THIRTY
  38. THIRTY-ONE
  39. THIRTY-TWO
  40. THIRTY-THREE
  41. THIRTY-FOUR
  42. THIRTY-FIVE
  43. THIRTY-SIX
  44. THIRTY-SEVEN
  45. THIRTY-EIGHT
  46. THIRTY-NINE
  47. FORTY
  48. FORTY-ONE
  49. AFTERWARDS

‘How well do you know this man?’ Hundchen is sniffing around my ankles.

‘Very well. We come here a lot. He’s a good friend.’

‘We?’

‘Andy and I. Bill’s a volunteer with the National Trust. He might not look the part but Andy says he’s great with mending fences and stiles. That’s where they met. That’s where it all began.’

‘Andy’s a volunteer as well?’

‘Yes.’ We’ve come to a halt outside a door at the end of the upstairs landing. This is a room, Christianne says, that has to be seen to be believed, and as she opens the door a foot or two and stands aside to let me take a look, I sense an almost proprietary sense of pride. But she’s right. The room is huge, washed in grey autumnal light. The windows offer a view out towards the coastal path, and I catch the gleam of the sea beyond. The furniture is French, and one of the armchairs looks original, possibly Louis XVI, but the real jewel is a chaise longue, perfectly angled to take advantage of the view. A glance at the fabric, wonderfully thick stripes of dark blue and grey, tells me the chaise has been recently upholstered, but the rightness of the proportions, the way the back swoops down to join the seat, oozes class. Thanks to my mum’s passion for provincial auctions, I happen to know a little about French antique furniture and I know that this chaise must have cost Sir William a fortune.

I gaze at it for a moment longer, wondering whether I might give it a try, if only to enjoy the view, when Christianne touches me lightly on the arm. She’s nodding at the double bed wedged against the back wall and I realize someone is curled beneath the embroidered counterpane.

‘Who’s that?’ I whisper.

‘Sylvester. Bill’s son. He flew over from New York last night. Took a cab from the airport this morning.’

‘Exeter?’

‘Heathrow.’

‘On the meter?’

‘Probably.’

‘Bloody hell.’

‘Exactly.’

We giggle together again, schoolgirls at the feast of someone else’s making, then I hear our host calling from below. Lunch is ready. Sir William will be glad to serve us.

We descend to the dining room. The dog is desperate for affection so I stoop to pick her up and give her a brief cuddle as we go back downstairs. The table is laid for four but I’m guessing that Sylvester is still asleep. At Sir William’s invitation, we sit down. Lunch is a selection of cold cuts with a crisp green salad, and late-season new potatoes. Our host has readied a bottle of Chablis and circles the head of the table to fill our glasses. The toast, when it comes, is simplicity itself.

‘To Arpeggio,’ he says. ‘And all the other treats you’ve given me.’