Back Limelight
Chapters (49)
  1. Cover
  2. Table of Contents
  3. Also by Graham Hurley
  4. LIMELIGHT
  5. Copyright
  6. Dedication
  7. Epigraph
  8. ONE
  9. TWO
  10. THREE
  11. FOUR
  12. FIVE
  13. SIX
  14. SEVEN
  15. EIGHT
  16. NINE
  17. TEN
  18. ELEVEN
  19. TWELVE
  20. THIRTEEN
  21. FOURTEEN
  22. FIFTEEN
  23. SIXTEEN
  24. SEVENTEEN
  25. EIGHTEEN
  26. NINETEEN
  27. TWENTY
  28. TWENTY-ONE
  29. TWENTY-TWO
  30. TWENTY-THREE
  31. TWENTY-FOUR
  32. TWENTY-FIVE
  33. TWENTY-SIX
  34. TWENTY-SEVEN
  35. TWENTY-EIGHT
  36. TWENTY-NINE
  37. THIRTY
  38. THIRTY-ONE
  39. THIRTY-TWO
  40. THIRTY-THREE
  41. THIRTY-FOUR
  42. THIRTY-FIVE
  43. THIRTY-SIX
  44. THIRTY-SEVEN
  45. THIRTY-EIGHT
  46. THIRTY-NINE
  47. FORTY
  48. FORTY-ONE
  49. AFTERWARDS

‘Not really. It belongs to my stepbrother. He’s in New York just now, investment banker, works for Goldman Sachs. If we nicked the place, put it in our pockets and did a runner, I’m not sure he’d even notice.’ He looks at Christianne. ‘Four properties? Including the house in Twickenham? Have I got that right?’

‘Five. You always forget the apartment down in Malaga.’

‘You’re right.’ He nods. ‘Maybe it’s time for a swap.’

They exchange glances, say nothing. Christianne has at last found glasses for the champagne. None of them match, and one of them is quite badly chipped, but it doesn’t seem to matter. McFaul pops the cork and I propose a toast.

‘To your brilliant neighbour.’ I raise my glass. ‘I just hope Budleigh recognizes what a talent they’ve got on their hands.’

To my surprise, the latter comment triggers a nod – which I take to be agreement – from McFaul.

‘It took guts to do something like that,’ he grunts. He tips his glass, the one with the chip, to his mouth and takes a pull at the champagne. He’s looking at Christianne. ‘Are they all as good as her? At that festival of theirs?’

‘I’ve no idea. We never go.’

‘Then maybe we should.’

‘Avec plaisir.’ She shoots McFaul a look. ‘You mind if I write that down?’

Without waiting for an answer, she glances at her watch and stoops to open the oven door. I can see a glass casserole inside, loosely covered with foil. She must have put it in earlier because the kitchen suddenly smells wonderful.

‘I hope you meant it about spicy food.’ She’s struggling to bend. ‘I’ve done a big pot of dhal. If you want to know our secret, we live on the stuff.’

‘She means it’s cheap.’ This from McFaul.

‘He means it’s delicious.’ Christianne is looking at me. ‘Andy loves it. I meant to get roti, but I forgot. Will plain bread be OK, or shall I toast it?’

I shrug. I don’t care. A bowl of whatever’s in that casserole dish sounds fine to me. Christianne nods. She’s still gazing into the oven. For whatever reason, she seems uncertain what to do next. McFaul empties his glass, wipes his mouth with the back of his hand, and then gets up. He circles the table until he’s standing behind Christianne, before helping her to stand upright. In the close confines of the kitchen I can’t help remembering the scene in the garden last night, McFaul trying to coach Christianne to sink a putt or two, or just make contact with the ball, and this strange pas de deux in front of the oven has the same feel.

‘OK?’ he mutters. ‘You want me to get it out?’ Christianne nods, says nothing. ‘Serve it? Sort the toast?’ Another nod.