Back Limelight
Chapters (49)
  1. Cover
  2. Table of Contents
  3. Also by Graham Hurley
  4. LIMELIGHT
  5. Copyright
  6. Dedication
  7. Epigraph
  8. ONE
  9. TWO
  10. THREE
  11. FOUR
  12. FIVE
  13. SIX
  14. SEVEN
  15. EIGHT
  16. NINE
  17. TEN
  18. ELEVEN
  19. TWELVE
  20. THIRTEEN
  21. FOURTEEN
  22. FIFTEEN
  23. SIXTEEN
  24. SEVENTEEN
  25. EIGHTEEN
  26. NINETEEN
  27. TWENTY
  28. TWENTY-ONE
  29. TWENTY-TWO
  30. TWENTY-THREE
  31. TWENTY-FOUR
  32. TWENTY-FIVE
  33. TWENTY-SIX
  34. TWENTY-SEVEN
  35. TWENTY-EIGHT
  36. TWENTY-NINE
  37. THIRTY
  38. THIRTY-ONE
  39. THIRTY-TWO
  40. THIRTY-THREE
  41. THIRTY-FOUR
  42. THIRTY-FIVE
  43. THIRTY-SIX
  44. THIRTY-SEVEN
  45. THIRTY-EIGHT
  46. THIRTY-NINE
  47. FORTY
  48. FORTY-ONE
  49. AFTERWARDS

In the afternoon, I take another nap. Evelyn brings me tea around half past five and we spend a girly half hour debating what to wear for the coming event. My choices are very limited. I’ve only brought a single suitcase but that doesn’t matter because I feel very happy in black jeans and a loose crimson top. Evelyn, on the other hand, has an entire wardrobe at her disposal.

After trying on various outfits, we agree that none of them quite hits the mark, and in the end she settles for the beautifully subdued two-piece – a sublime confection in soft blues and greys – that she wore for her event in St Peter’s Church. This, I tell her, has the merit of reminding certain members of the audience about her London pedigree. All those books, all those bestselling authors. Mitch, newly returned from setting up the public hall, agrees.

‘It’ll work for the media people, too,’ he says. ‘They love all that literary shit.’

We set off for the public hall with half an hour in hand. Mitch offers to drive us but both Evelyn and I prefer to go on foot. It’s a lovely evening, still and cold. A full moon is rising above the line of rooftops as we leave the cul-de-sac and link arms and walk down the hill. Already, couples are emerging from their front doors, checking their watches, and setting off in the same direction. Might these people be heading for the public hall as well? The answer, we quickly discover, is yes.

By the time we arrive, the hall is already packed, standing room only at the back and along the side aisles. Mitch has had the foresight to run cables out for a pair of loudspeakers on the apron of hardstanding in front of the hall, and his trusty volunteers have been despatched for supplies of garden chairs to let these good folk take the weight off their feet. Cars and trailers are arriving from every direction, and men twice my age stand ready to offload yet another stack of plastic chairs. Among them, I recognize Bill Penny. He’s supervising the layout of this supplementary arena, a shallow crescent of white and dark green plastic seating, fast filling up.

‘Thank God for the croquet club.’ He’s beaming. ‘I knew those bloody awful chairs would come in handy.’