Back Limelight
Chapters (49)
  1. Cover
  2. Table of Contents
  3. Also by Graham Hurley
  4. LIMELIGHT
  5. Copyright
  6. Dedication
  7. Epigraph
  8. ONE
  9. TWO
  10. THREE
  11. FOUR
  12. FIVE
  13. SIX
  14. SEVEN
  15. EIGHT
  16. NINE
  17. TEN
  18. ELEVEN
  19. TWELVE
  20. THIRTEEN
  21. FOURTEEN
  22. FIFTEEN
  23. SIXTEEN
  24. SEVENTEEN
  25. EIGHTEEN
  26. NINETEEN
  27. TWENTY
  28. TWENTY-ONE
  29. TWENTY-TWO
  30. TWENTY-THREE
  31. TWENTY-FOUR
  32. TWENTY-FIVE
  33. TWENTY-SIX
  34. TWENTY-SEVEN
  35. TWENTY-EIGHT
  36. TWENTY-NINE
  37. THIRTY
  38. THIRTY-ONE
  39. THIRTY-TWO
  40. THIRTY-THREE
  41. THIRTY-FOUR
  42. THIRTY-FIVE
  43. THIRTY-SIX
  44. THIRTY-SEVEN
  45. THIRTY-EIGHT
  46. THIRTY-NINE
  47. FORTY
  48. FORTY-ONE
  49. AFTERWARDS

‘And that would have angered him?’ Deneuve this time.

‘Of course.’

‘Why?’

‘Because all this stuff is man-made. People design these things, put them together, sell them, make a great deal of money. There are millions of them. Some will be there forever. He thought that was incomprehensible. Another word is obscene.’

‘Is that him talking?’

‘Me, as it happens. Though I know he’d agree.’

‘A meeting of minds, then?’ Cavendish is making herself a note. ‘Would that be fair?’

‘On this issue, definitely.’

‘And others? Was the system to blame? The profit motive? Corporate interests? The whole shebang?’

At last, probably far too late, I twig where all this idle chatter is leading. McFaul and little me have obviously been tucked up in some grand conspiracy to blow Western capitalism apart. Tony, too, is getting disturbed. He says he has an issue with this line of questioning. Please stick to the known facts. This is deeply supportive on Tony’s part, but I’m determined to clarify what I’m trying to say.

‘You’re right about McFaul.’ I’m looking at Deneuve. ‘He has lots of anger. He’s also difficult, solitary, and bloody hard to be with. He wants to keep you at arm’s length. I doubt he trusts anyone. He thinks life’s ganged up on him, he thinks he’s been fighting impossible odds, and then his partner, the woman he loves, falls ill with MND. She’s been disintegrating before his eyes for months. This is one of his mines exploding, but in slow motion. Anger’s probably too small a word. Bewilderment? Incomprehension? Would that cover it? In real life I happen to be an actress. My job is getting inside other people’s heads, most of them fictional. McFaul’s, if it’s of any relevance, I can barely imagine.’

There’s a long silence. I think I detect just a hint of approval, or maybe even admiration, in the blankness of Deneuve’s face. Then Cavendish flicks back several pages on her notepad and leans forward over the table.

‘You bought a mobile phone on the twenty-third of September at the Vodafone store in Exmouth. The purchase was logged at one-eighteen p.m. You paid for a hundred and fifty pounds of credit. We looked for that phone this morning, but we couldn’t find it.’ She looks up. ‘Might you tell us why?’

‘Because I gave it to McFaul.’

‘For what reason?’

‘Because he doesn’t have one. And because a man in his situation should be able to talk to others if and when he needs to.’

‘And you gave him your number?’

‘Of course.’

‘And has McFaul phoned?’

‘No.’

‘So you’ve no idea where he might be?’

‘None.’

‘Do you think he has support? Some kind of network?’

‘He had Christianne. That’s all he needed. Now she’s gone he could be anywhere.’