Back Libertie
Chapters (16)
  1. Cover
  2. Dedication
  3. Se pa tout blesi ki geri
  4. Sa ki bon avèk yon kè, sè ke li pa pote jijman
  5. Se lè yon sous seche, moun konn valè dlo
  6. Di m’ sa ou renmen, epi m’ava di ou ki moun ou ye
  7. Vrè lanmou pa konn danje
  8. Manman Poul grate, grate jouk li jwenn zo grann li
  9. Acknowledgments
  10. Readers Guide
  11. Beyond the Talented TenthAn Essay by Kaitlyn Greenidge
  12. Black Motherhood as Literary CreationAn Interview with Kaitlyn Greenidgeby Liz Button
  13. Questions for Discussion
  14. Also by Kaitlyn Greenidge
  15. About the Author
  16. Praise for Libertie

I stopped myself from thinking further then—it was bad enough that I could hear, in the dark, the whole family shifting and sighing and passing gas in the next room. I did not have to imagine the Gradys’ marital bed. But still, it was as if Grady and his wife lived in a kind of willed blindness.

I thought, I have never seen a more incurious woman. I thought, My mother is better than Madeline Grady, at least. I thought I was better, too.

Grady and his wife had married late, and their children were much younger than I was. They had a girl and two boys still in short pants. Grady, in contrast to his gruff indifference to my presence, doted on the boys and girl. He was always reaching for them—running his hand over the clipped scalps of the boys or suddenly squeezing the fat of the little girl’s knees. I had never seen, up close, a family with a father, and whenever Grady made one of his sudden attacks of affection, I felt my cheeks burn and I had to turn my eyes away because they stung, as if a glare from the sun had suddenly caught them. I could not shake the feeling that I was seeing something I was not supposed to see.

Being in Grady and Madeline’s house, I remembered the silence of my mother’s. All those evenings spent where the only sound was her breath as she sighed over her reading, and sometimes the surprise of a log breaking into fire in the hearth, and here, at the Gradys’, there was noise always around and within us. I realized that I had been raised up in something like a shroud, the muffling shroud of my mother’s grief—for my father and maybe for life. To be at the Gradys’ meant I was faced with life, and sometimes it felt like too much for my ears and my heart.

I would have written to my woman, if I could. But the Gradys’ house did not have the long stretches of privacy that living with Mama did. There was no place to hide away and write verses. No ground to lie on and build myself anew. Those first few days, overwhelmed by the thunder of Madeline Grady pouring water into tin tubs, I found a corner of the front room and sat, facing the wall, the shroud of other people’s laundry providing a cover. I had my book in my lap, my pen in my hand, when the youngest Grady toddled over and placed her chubby hands on my knees over and over again, until I put the paper aside to play with her.

The little girl tumbled away, satisfied. Through the piles of dirty petticoats, as I sat alone in the corner, I could hear Madeline Grady teaching her children her trade.