Back Libertie
Chapters (16)
  1. Cover
  2. Dedication
  3. Se pa tout blesi ki geri
  4. Sa ki bon avèk yon kè, sè ke li pa pote jijman
  5. Se lè yon sous seche, moun konn valè dlo
  6. Di m’ sa ou renmen, epi m’ava di ou ki moun ou ye
  7. Vrè lanmou pa konn danje
  8. Manman Poul grate, grate jouk li jwenn zo grann li
  9. Acknowledgments
  10. Readers Guide
  11. Beyond the Talented TenthAn Essay by Kaitlyn Greenidge
  12. Black Motherhood as Literary CreationAn Interview with Kaitlyn Greenidgeby Liz Button
  13. Questions for Discussion
  14. Also by Kaitlyn Greenidge
  15. About the Author
  16. Praise for Libertie

KG: Actually, I found out I was pregnant with my daughter on the day I handed in my first draft of this book, and she was born three days after I handed in the second draft. She has really grown up with this book along the way. But I did think a lot about what it means to be a mother, and the expectations of the role, both internal and external, and I thought a lot particularly about Black motherhood. Probably one of the most famous novels that explores what it is to be a Black mother in America is Beloved. That novel didn’t really influence this one, but what did were a lot of Toni Morrison’s interviews in which she talks about motherhood as a form of freedom, particularly for Black women. She says that Black women don’t get to really self-actualize in this country, but through the care and raising of our children, getting to decide how they are going to live their days, what we impart to them, what we want them to value, we can really exorcise and imagine other worlds.

That sort of alternate take was really refreshing because so much of the literature around motherhood is that it’s drudgery, it’s awful, it’s the patriarchy killing us, our bodies are dying, who would want to do it, this is for suckers. I tried to read as much as I could, not just for myself but also for the characters of Libertie and her mother, Dr. Sampson. I tried to read women whose ambition was not thwarted by motherhood, or who at least didn’t credit motherhood with thwarting their ambition, like Morrison, Grace Paley, Lynn Nottage. There are writers out there who make this point, and I wanted to explore that side of motherhood as another form of literary creation but also as intellectual creation, and this very deep relationship you have to someone where you are shaping and developing them and eventually exchanging and sharing ideas.

LB: Naming is another essential piece of motherhood. Your choice of the name Libertie is obviously deeply symbolic, but many other names in the book—Experience, Emmanuel, Ben Daisy—are also unique. Was the process of coming up with these names meaningful for you? How did you think of them?