Back Liberation Day
Chapters (14)
  1. Cover
  2. By the same Author
  3. Dedication
  4. Liberation Day
  5. The Mom of Bold Action
  6. Love Letter
  7. A Thing at Work
  8. Sparrow
  9. Ghoul
  10. Mother’s Day
  11. Elliott Spencer
  12. My House
  13. About the Author
  14. About the Type

My look in return says: I am. Is that an issue?

Lauren and Craig feel that I am strange, too sensitive. I fall under the sway of the Settings, it is true, with greater alacrity than they. Always have. Well, I love my work. I aspire to always be feeling more, thus Speaking with more gusto, thus evoking greater emotion and engagement in my Listeners.

This is what, I feel, makes me unique among the three of us.

Around five Mr. U. comes home from Work. Still in Work suit, he steps into Listening Room and announces an inspiration, had at Work, for a new Arrangement: me, far left, ten feet above floor; Lauren in the middle, twenty feet above floor; Craig, far right, thirty feet above floor. We will thus make an ascending three-pointed line. We will be given, also, a new Pose, more in keeping with City: each of us standing upright, hands shading our eyes, as if gazing off at the distant Cities of which we will soon be Speaking.

Jed Dillon arrives to administer the Required Inter-Pose Stretching. Or, as he says it, “for to Stretch y’all.”

Stretching, after nine days in the shape of the letter X, feels, as one might imagine, both good and bad.

We are then costumed in the mode of City dwellers: tuxedos for Craig and me, long flowing gown for Lauren.

Adult son Mike brings in a ladder, scaffolding, and the rubber-matted platforms upon which we must stand for re-Pinioning. Once in position, each of us leans his or her head back into the Fahey Cup, allowing the three Fahey pronglets to settle gently into the Fahey receptors at the base of the neck.

Then a test is run: Mr. U. makes each of us say the alphabet extremely fast, then extremely slow.

And we are ready.

We wait nervously, hearing the hum of Company as they enjoy Buffet in Main Living Area.

In they glide, smiling up at us politely, then take their seats in folding chairs grumpily put out earlier by adult son Mike. Mr. U. enters briskly in the blazer he dons for Performances, takes up his position at Podium. Mrs. U. takes up her position at rear of room, looking, if I may say so, pained, as if she wishes she could incur Penalty, then be forced to go sit in Penalty shed until Performance is done.

But alas: they are married, she must stay.

We begin.