After a minute or two, Gurney got Kim’s project folder from the sideboard and brought it back to the table. He flipped past the sections titled “Concept” and “Documentary Overview” and quickly scanned the “Style and Methodology” section, pausing only to read more carefully a sentence that Kim had emphasized by typing it with an underscore: Interviews will examine the lasting effects of the original murders, exploring deeply all the ways in which the lives of the families were altered.

He skimmed through several more sections, slowing down when he came to one titled “Contact Summaries and Status.” It was organized in the sequence of the six Good Shepherd shootings. The information was laid out in the form of a spreadsheet, with columns under three headings: Attack Victims, Available Family Members, Current Attitude Toward Participation.

His eye ran down the victim list: Bruno and Carmella Mellani, Carl Rotker, Ian Sterne, Sharon Stone, Dr. James Brewster, Harold Blum. After Carmella Mellani’s name, there was an asterisk with a corresponding footnote that read, “Survived massive cranial trauma during attack, remains in persistent vegetative coma.”

He skipped over the second column, which provided a detailed list of family members (with their locations, life situations, ages, and personal descriptions), and glanced at the third-column summaries of their “current attitudes.”

The widow of Harold Blum was said to be “totally cooperative, grateful for the interest being shown, deeply emotional, still cries during discussion of the subject.”

The son of Dr. Brewster was described as “abusive toward the memory of his father, in open sympathy with the philosophy of TGS, obsessed with the evils of materialism.”

The son of Ian Sterne, dental entrepreneur, was “low-key, resistant to participating, concerned about the project’s disruptive emotional effects, skeptical of the intentions of RAM-TV, critical of the relentless sensationalism of their original coverage of the shootings.”

The son of real-estate broker Sharon Stone “expressed great enthusiasm for the project, spoke eagerly about his mother’s strengths, the horror of her death, the devastating effect on his own life, the intolerable injustice of the killer’s escape.”

There were more family members and more status descriptions, followed by the transcripts of two interviews—with Jimi Brewster and with Ruth Blum—and a twenty-page copy of the Good Shepherd’s “Memorandum of Intent.” As Gurney was about to put the folder aside, he noticed that there was a final page that had not been cataloged in the table of contents—a page headlined “Contacts for Background Information.”

There were three names on it, with e-mail addresses and phone numbers for each: FBI Special Agent in Charge Matthew Trout, (Former) NYSP Senior Investigator Max Clinter, and NYSP Senior Investigator Jack Hardwick.

He stared with surprise at the third name. Jack Hardwick was a super-smart, super-abrasive detective with whom Dave had a complex relationship—having crossed Hardwick’s path in bizarre and contentious circumstances.