Chapters (62)
- Cover
- Other Books by This Author
- Title Page
- Copyright
- Dedication
- Part One: The Orphans of Murder
- Prologue
- Chapter 1
- Chapter 2
- Chapter 3
- Chapter 4
- Chapter 5
- Chapter 6
- Chapter 7
- Chapter 8
- Chapter 9
- Chapter 10
- Chapter 11
- Chapter 12
- Chapter 13
- Chapter 14
- Chapter 15
- Part Two: In the Absence of Justice
- Chapter 16
- Chapter 17
- Chapter 18
- Chapter 19
- Chapter 20
- Chapter 21
- Chapter 22
- Chapter 23
- Chapter 24
- Chapter 25
- Chapter 26
- Chapter 27
- Chapter 28
- Part Three: At Any Cost
- Prologue
- Chapter 29
- Chapter 30
- Chapter 31
- Chapter 32
- Chapter 33
- Chapter 34
- Chapter 35
- Chapter 36
- Chapter 37
- Chapter 38
- Chapter 39
- Chapter 40
- Chapter 41
- Chapter 42
- Chapter 43
- Chapter 44
- Chapter 45
- Chapter 46
- Chapter 47
- Chapter 48
- Chapter 49
- Chapter 50
- Chapter 51
- Acknowledgments
For most of Gurney’s half-hour homeward drive from Dillweed to Walnut Crossing, he could think of little else. But as startling as the discovery was, it was more troubling than actionable. Rather like discovering that an ax murderer and his victim, previously believed to be unconnected, had shared a desk in kindergarten. Attention-getting, but what the hell did it mean?
It would be important to know how long Mellani had owned the gun. However, the record accessed by Hardwick’s colleague, showing a currently valid concealed-carry permit, did not indicate the original application date. Calls to Mellani’s office number and cell number had both gone into voice mail. Even if the man chose to return the calls, he was under no obligation to explain his unusual choice of sidearm.
Obviously this curious new fact exacerbated Gurney’s original concern: that depression and easy access to a firearm could be a high-risk combination. But “concern” was all it was. There was no hard evidence that Paul Mellani was a credible danger to himself or others. He had said nothing—uttered none of the key phrases, none of the psychiatric alarm words—that would justify notifying the Middletown police, nothing that would justify any intervention beyond the personal calls that had been made.
But Gurney kept thinking about it—imagining the probable content of Kim’s contacts with the man prior to their Saturday meeting, her letter and phone call explaining her project. These reminders of his father’s death—reminders of his father’s apparent lack of concern for him—may have focused him on the emptiness of his life, the sinking ship of his career.
Lost in the miasma of depression, might he be planning to end it all? Or, God forbid, perhaps he already had? Perhaps that’s why the calls went into voice mail?
Or what if Gurney had it all backward? What if the purpose of the Desert Eagle wasn’t suicidal but homicidal?
What if it had always been homicidal? What if …
Jesus Christ! What if. What if. What if. Enough! The man had a legal permit to possess a legal handgun. There were millions of depressed people in the world who never came close to harming themselves or anyone else. Yes, the brand name of the handgun raised obvious questions, but these questions could be asked and answered when Mellani called back, which he surely would. Strange coincidences usually had pedestrian explanations.
Chapter 30
Showtime
When Gurney arrived home at 2:02 P.M., Madeleine was out. Her car was still parked by the side door, which meant she was probably hiking one of the forest trails that radiated out from the high pasture.
During the final few miles of the drive, his obsession with Paul Mellani’s gun had subsided—only to be replaced by the echo of Hardwick’s Big Question: If the Good Shepherd murder spree wasn’t the psycho mission described in the manifesto, then what was it?