Back Let the Devil Sleep Save as PDF
Chapters (62)
  1. Cover
  2. Other Books by This Author
  3. Title Page
  4. Copyright
  5. Dedication
  6. Part One: The Orphans of Murder
  7. Prologue
  8. Chapter 1
  9. Chapter 2
  10. Chapter 3
  11. Chapter 4
  12. Chapter 5
  13. Chapter 6
  14. Chapter 7
  15. Chapter 8
  16. Chapter 9
  17. Chapter 10
  18. Chapter 11
  19. Chapter 12
  20. Chapter 13
  21. Chapter 14
  22. Chapter 15
  23. Part Two: In the Absence of Justice
  24. Chapter 16
  25. Chapter 17
  26. Chapter 18
  27. Chapter 19
  28. Chapter 20
  29. Chapter 21
  30. Chapter 22
  31. Chapter 23
  32. Chapter 24
  33. Chapter 25
  34. Chapter 26
  35. Chapter 27
  36. Chapter 28
  37. Part Three: At Any Cost
  38. Prologue
  39. Chapter 29
  40. Chapter 30
  41. Chapter 31
  42. Chapter 32
  43. Chapter 33
  44. Chapter 34
  45. Chapter 35
  46. Chapter 36
  47. Chapter 37
  48. Chapter 38
  49. Chapter 39
  50. Chapter 40
  51. Chapter 41
  52. Chapter 42
  53. Chapter 43
  54. Chapter 44
  55. Chapter 45
  56. Chapter 46
  57. Chapter 47
  58. Chapter 48
  59. Chapter 49
  60. Chapter 50
  61. Chapter 51
  62. Acknowledgments

“It’s an idea I’ve had for years—examining the horror of murder by examining its impact on the victim’s family—I just never knew what to do with it. Sometimes I wouldn’t think about it for a while, but it would always come back, stronger than ever. I became obsessed with it—I had to do something with it. At first I thought it could be like a scholarly thing—maybe a sociology or psychology monograph. So I sent query letters out to a lot of the university presses, but I didn’t have the right academic degrees, so they had no interest in me. So I thought maybe a regular nonfiction book. But for a book you need an agent, which meant more query letters. And guess what? Zero interest. Like I’m twenty-one, twenty-two, who the hell am I? What have I written before? What are my credentials? Basically I’m just a kid. All I have is an idea. Then it finally dawns on me. Duh! This is not a book, this is television! From that point on, things started to fall into place. I saw it as a series of intimate interviews—‘reality television’ in the best sense of that term, which I realize has a pretty scuzzy sound these days, but it doesn’t have to be that way—not if it’s done with emotional truth!”

She stopped, as though suddenly affected by her own words, flashed an embarrassed smile, cleared her throat, and went on. “So anyway, I put it all together in the form of a detailed outline for my master’s thesis and submitted it to Dr. Wilson, my adviser. He told me it was a great idea, that it had real potential. He helped me put it in a commercial proposal format, made sure my legal bases were covered to give me some protection in the real world, and then he did something he said he never does: He passed it along to a production executive he knows personally at RAM-TV—a guy by the name of Rudy Getz. And Getz got back to us like a week later and said, ‘Okay, let’s do it.’ ”

“Just like that?” asked Gurney.

“I was surprised, too. But Getz said that’s the way RAM operates. I’m not going to question it. The fact that I can make this idea real, that I can explore this subject …” She shook her head, as if trying to ward off some volatile emotion.

Madeleine came to the table, sat down, and said what Gurney was thinking. “This is important to you, isn’t it? I mean, really important, beyond being a career booster.”

“Oh, God, yes!”

Madeleine smiled softly. “And the heart of the idea … the part that matters so much to you …?”